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| Dayglo Koans and Spiritual Renewal: 1960s Psychedelic Rock Concert Posters and the Broadening of American Spirituality | ||
| 作者 | Moist, Kevin M (著) |
|---|---|
| 出處題名 | The Journal of Religion and Popular Culture |
| 卷期 | v.7 n.1 Summer |
| 出版日期 | 2004.06.01 |
| 頁次 | 2 - 2 |
| 出版者 | University of Toronto Press |
| 出版者網址 | https://utppublishing.com/ |
| 出版地 | Toronto, ON, Canada [多倫多, 安大略省, 加拿大] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 摘要 | This article focuses on the influence of Eastern “ways of liberation” such as Buddhism and Taoism on the creative activity of a vibrant visionary subculture in San Francisco’s Haight-Ashbury district from 1965–1969. Part of a larger study of psychedelic rock concert posters, this paper addresses the particular influence of Eastern mystical philosophy on the visual rhetoric of these San Francisco posters and its cultural impact as it radiated outwards from there. In addition to visual elements such as iconography and visual style, the posters are seen as attempting visually to represent the paradoxical logic central to the “enlightenment” experience of those and other mystical religious traditions. |
| ISSN | 1703289X (E) |
| DOI | 10.3138/jrpc.7.1.002 |
| 點閱次數 | 1 |
| 建檔日期 | 2024.12.25 |
| 更新日期 | 2024.12.25 |
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