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| Buddha Barthes: What Barthes Saw in Photography (That He Didn't in Literature) | ||
| 作者 | Prosser, Jay (著) |
|---|---|
| 出處題名 | Literature and Theology |
| 卷期 | v.18 n.2 |
| 出版日期 | 2004.06 |
| 頁次 | 211 - 222 |
| 出版者 | Oxford University Press |
| 出版者網址 | http://www.oxfordjournals.org |
| 出版地 | Oxford, UK [牛津, 英國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | Author Affiliation: University of Leeds, UK. |
| 摘要 | Roland Barthes's final works become increasingly interested in Buddhism. Just before his death, and after his mother's, he writes an essay on photography, Camera Lucida, which corresponds what he sees in photography with what he saw in Buddhism. This is the real, or what Barthes called the punctum, or what Zen calls sunyata (quoted by Barthes). In this void is death, and it brings Barthes to the zero degree outside of literature and the verbal sign that he had always sought. |
| 目次 | REFERENCES 221 |
| ISSN | 02691205 (P); 14774623 (E) |
| 點閱次數 | 4 |
| 建檔日期 | 2024.12.13 |
| 更新日期 | 2024.12.25 |
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