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| Sounding the Center: History and Aesthetics in Thai Buddhist Performance | ||
| 作者 | Wong, Deborah (著) |
|---|---|
| 出版日期 | 2001 |
| 頁次 | 348 |
| 出版者 | University of Chicago Press |
| 出版者網址 | https://press.uchicago.edu/index.html |
| 出版地 | Chicago, IL, US [芝加哥, 伊利諾伊州, 美國] |
| 叢書名 | Chicago Studies in Ethnomusicology |
| 資料類型 | 書籍=Book |
| 使用語言 | 英文=English |
| 附註項 | CD contains 17 tracks of Thai Buddhist music. |
| 摘要 | Sounding the Center is an in-depth look at the power behind classical music and dance in Bangkok, the capital and sacred center of Buddhist Thailand. Focusing on the ritual honoring teachers of music and dance, Deborah Wong reveals a complex network of connections among kings, teachers, knowledge, and performance that underlies the classical court arts. Drawing on her extensive fieldwork, Wong lays out the ritual in detail: the way it is enacted, the foods and objects involved, and the people who perform it, emphasizing the way the performers themselves discuss and construct aspects of the ceremony. |
| 目次 | List of Figures ix Preface: Attending a Ritual, Thinking about Ritual xiii Acknowledgments xxvii Conventions and Orthography xxxi 1. Men Who Become the Deity: The Thai Body in Performance, The Thai Body as History 1 2. Performing Wai Khruu Ritual 16 3. Knowledge and Power in Thai Culture: Teachers as Hermits 62 4. Sounding the Sacred 102 5. Inscribing the Wai Khruu Ritual: Two Written Accounts 137 6. Inheritance and Nationalism: The Social Construction of Wai Khruu Rituals in Bangkok 158 7. The Wai Khruu as a Gendered Cultural System 218 8. Conclusions: Thoughts on Change 248 Appendixes A. Glossary of Terms Used 259 B. List of the Naa Phaat Repertoire Used in the Wai Khruu Ritual 269 C. The Deities of Thai Court Performance 274 D. Thai Instruments Mentioned in the Text 277 E. CD Contents 281 F. Guide to Commercial Recordings 285 Notes 289 References 315 Index 335 |
| ISBN | 0226905853 (hbc); 0226905861 (pbc) |
| 相關書評 | |
| 點閱次數 | 62 |
| 建檔日期 | 2024.11.06 |
| 更新日期 | 2024.11.08 |
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