 |
|
| 理趣経法の本尊宝珠：一法界ソリヤ法の道場観を中心に=The Principal Image Cintāmaṇi of Rishukyō-bō 理趣経法 | ||
| 作者 | 鍵和田聖子 (著)=Kagiwada, Seiko (au.) |
|---|---|
| 出處題名 | 印度學佛教學研究 =Journal of Indian and Buddhist Studies=Indogaku Bukkyōgaku Kenkyū |
| 卷期 | v.71 n.2 (總號=n.159) |
| 出版日期 | 2023.03.22 |
| 頁次 | 618 - 623 |
| 出版者 | 日本印度学仏教学会 |
| 出版者網址 | http://www.jaibs.jp/ |
| 出版地 | 東京, 日本 [Tokyo, Japan] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 日文=Japanese |
| 關鍵詞 | 一法界ソリヤ法; 理趣経法; 三尊合行法; 真寂; 頼瑜; 弘真 |
| 摘要 | I have earlier made clear that the visualized principal image of Cintāmaṇi in the visualization protocol of the Ippokai soriya-hō 一法界法 （Secrets of Rishukyō-bō 理趣経法）, was Mikan hōju 密観宝珠, which attracted attention in research on medieval hōju and was regarded as the principal image of the Nyoirin-Kannonhō 如意輪観音法. Furthermore, from the standpoint of understanding that the Rishukyō-bō is the Hōju-hō 宝珠法, it was found that there was a case of secretly reading the Rishu-kyō （Adhyardhaśatikā prajñāpāramitā） during the Goshichinichi no mishi-hō 後七日御修法. As this principal image had the character of being a symbol of Mahāvairocana of the non-duality of the Vajradhātu and Garbhadhātu, it was later adopted as the central object of worship when Kōshin 弘真 established the Sanzon Gōgyō-hō 三尊合行法. The Sanzon Gōgyō-hō is even said to be among the achievements of Cintāmaṇi worship, and the shape of the Cintāmaṇi, which was established as the principal image of the Ippokai soriya-hō and likely influenced the Sanzon Gōgyō-hō, is pointed out. Therefore, I think that the existence of the Rishukyō-bō as a Hōju-hō called Ippokai soriya-hō can be added as a topic of Cintāmaṇi worship. |
| 目次 | はじめに 618 一 宝珠と一法界ソリヤ法に関する研究の現状 618 二 一法界ソリヤ法の道場観 619 三 三尊合行法と一法界ソリヤ法の共通点 621 まとめ 622 〈参考文献〉 623 |
| ISSN | 00194344 (P); 18840051 (E) |
| DOI | https://doi.org/10.4259/ibk.71.2_618 |
| 點閱次數 | 190 |
| 建檔日期 | 2024.10.20 |
| 更新日期 | 2024.10.25 |
建議您使用 Chrome, Firefox, Safari(Mac) 瀏覽器能獲得較好的檢索效果，IE不支援本檢索系統。
