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| Detached Hero, Attached Heroine: Buddhism, Authorship, and the Creation of a Literary Self | ||
| 作者 | Ama, Michihiro (著) |
|---|---|
| 出處題名 | International Journal of Buddhist Thought & Culture=국제불교문화사상사학회 |
| 卷期 | v.34 n.1 |
| 出版日期 | 2024.06 |
| 頁次 | 129 - 165 |
| 出版者 | International Association for Buddhist Thought and Culture |
| 出版者網址 | http://iabtc.org/ |
| 出版地 | Seoul, Korea [首爾, 韓國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | Author Affiliation: Otani University, Japan. |
| 關鍵詞 | Natsume Sōseki; Ishimure Michiko; Japanese Buddhism; Japanese literature; autobiographical fiction; the Pure Land |
| 摘要 | Autobiographical fiction was a popular genre of modern Japanese literature which dealt with the author’s deep introspection and featured their growing awareness of the self and others. The author’s Buddhist experience helps the main character understand the causes of their suffering, encourages the protagonist to engage with and overcome afflictions, and leads the protagonist to construct their relationships to others more meaningfully. This paper examines the correlation between Buddhism, the author, and the formation of a literary self in Natsume Sōseki’s Michikusa and Ishimure Michiko’s Kugaijōdo, respectively. The hero in Michikusa is constructed by the author who contemplated the state of death, suffered a near death experience, practiced Zen Buddhism, and was aspired to become a man who could overcome his egotism. Sōseki used the writing of autobiographical fiction as a device to transform his sense of selfhood through the narrator’s analysis of his literary alter ego and the protagonist. The heroine in Kugaijōdo is created by the author who was prone to the suffering caused by social injustice and economic hardship and who understood that the suffering of life-anddeath is the theme of Buddhism. Ishimure designated her first-person narrator “I,” her alter ego, to exercise empathy towards the characters of the Minamata disease victims and to consider the implications of the Pure Land. Despite the popular perception that Sōseki and Ishimure were great novelists of modern Japan, they were Buddhist practitioners. For them writing autobiographical fiction represented a new form of the Buddhist practice, while Buddhist words and symbols continued to appear in modern Japanese literature despite modernists’ tendency to separate Japan’s modernity from its premodern experience. |
| 目次 | Abstract 130 Introduction 131 Author, Narrator, and Hero in Michikusa 132 Traumatic Memory, Writing, and Zanki 133 Sōseki’s Writing Style and His Experience of Buddhism 139 A Brief Introduction to Kugaijōdo and the Minamata Disease Incident 143 Ambivalence of kugaijōdo 145 Ishimure’s Style of Writing 147 A Buddhist Family Altar and the Pure Land 150 Ishimure’s Suffering and Her Experience of Buddhism 153 Conclusion 156 Notes 158 Works Cited 162 |
| ISSN | 15987914 (P) |
| DOI | 10.16893/IJBTC.2024.06.34.1.129 |
| 點閱次數 | 157 |
| 建檔日期 | 2024.08.13 |
| 更新日期 | 2024.08.16 |
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