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| Cinematic Space and Time in the Huayan jing/Hwaŏm kyŏng | ||
| 作者 | Cho, Francisca (著) |
|---|---|
| 出處題名 | International Journal of Buddhist Thought & Culture=국제불교문화사상사학회 |
| 卷期 | v.34 n.1 Series Four |
| 出版日期 | 2024.06 |
| 頁次 | 19 - 54 |
| 出版者 | International Association for Buddhist Thought and Culture |
| 出版者網址 | http://iabtc.org/ |
| 出版地 | Seoul, Korea [首爾, 韓國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | Author Affiliation: Georgetown University, USA. |
| 關鍵詞 | Cosmology; ritual; cinema; dharmadhātu; mandalas; Indra’s net |
| 摘要 | The Buddhist text that originated as the Avataṃsaka-sūtra in India describes a universe that transcends our bounded experience of space and time and which enables instant access to Buddhahood. This reverses the ordinary understanding of enlightenment as both temporally and spatially distant. The premise of instantaneous Buddhahood is a ritual practice that has utilized both literary and visual strategies. When these practices are examined, it is possible to see them as precursors of cinema, with its ability to create an intentional space-time reality. Seeing cinema in this light also highlights the inherently ritual nature of the medium. |
| 目次 | Abstract 20 Introduction 21 Representing the Dharmadhātu: Mirrors and Mandalas 22 Holographic Linearity in the Daśabhūmikā 27 The Progression of Totality in the Gaṇḍavyūha 32 From Text and Image to Cinema 41 Notes 47 References 52 |
| ISSN | 15987914 (P) |
| DOI | 10.16893/IJBTC.2024.06.34.1.19 |
| 點閱次數 | 226 |
| 建檔日期 | 2024.08.13 |
| 更新日期 | 2024.08.16 |
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