 |
|
| Confucian Order and Religious Doctrines: Rhetorical Characterizations of Illustrations in the Fiction “Quanxiang Pinghua” in the Yuan Dynasty | ||
| 作者 | Li, Guoping |
|---|---|
| 出處題名 | Religions |
| 卷期 | v.14 n.7 |
| 出版日期 | 2023.07 |
| 頁次 | 19 |
| 出版者 | MDIP |
| 出版者網址 | https://www.mdpi.com/ |
| 出版地 | Basel, Switzerland [巴塞爾, 瑞士] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | 1. Religions 2023, 14(7), 847. 2. The Subtitle of the Journal: Religious Art of Medieval China. 3. Author Affiliation: Guangzhou University, China. |
| 關鍵詞 | destiny is impermanent; politics and religion; ritual; religious belief |
| 摘要 | The fiction “Quanxiang Pinghua”, published by Jianyang 建陽 Yushi 虞氏 in the Yuan Dynasty, depicts public religious concepts using a set of organized illustrations of etiquette. As a popular cultural reading material of the Yuan Dynasty, the fiction’s illustrations are a mixture of mainstream religious ideas, such as Confucianism, Taoism, and Buddhism, reflecting the Jianyang people’s compromised identification of the three religions and their value of faith. The illustrations shape the religious view of “the impermanence of destiny”. With the help of the spatial narrative of the political and religious order of Confucianism and the public construction of the ritualistic landscapes of Confucianism, Taoism, and Buddhism, these images reflect the ethical enlightenment and religious beliefs of the three religions in social life. From the perspective of Confucianism, Taoism, and Buddhism, this article adopted interdisciplinary methods to analyze inherent religious ethics in the illustrations of the fiction and explore religious beliefs among the people in the Yuan Dynasty. This article suggested that, by depicting religious rituals, the illustrations in the fiction reflect the comprehensive acceptance of the benevolence and righteousness, filial piety, loyalty, and kindness of Confucianism, Taoism, and Buddhism by the public of the Yuan Dynasty. The illustrations in the fiction manifest Confucian order and moral ethics, of which the extension is interconnected with the concepts of Confucianism, Taoism, Buddhism, and living ethics, manifesting the inner interpretation of Confucian ethics in Jianyang popular literature and art and the collective regulation of folk religious beliefs. |
| 目次 | Abstract 1 Keywords 1 1. Introduction 1 2. Gist of Images: Religious Concept of “Destiny Is Impermanent” and Confucian Regulation 2 3. Religious Schema: Spatial Expression of Confucian Political and Religious Order 6 4. Religious Landscape: Public Construction and Moral Education of Rituals of Confucianism, Taoism, and Buddhism 9 5. Ethical Perspective: Compromise of Doctrines of Confucianism, Taoism, and Buddhism and the Formation of Beliefs 13 6. Conclusions 17 Funding 17 Conflicts of Interest 17 Notes 18 References 18 |
| ISSN | 20771444 (E) |
| DOI | 10.3390/rel14070847 |
| 點閱次數 | 130 |
| 建檔日期 | 2024.06.13 |
| 更新日期 | 2024.06.17 |
建議您使用 Chrome, Firefox, Safari(Mac) 瀏覽器能獲得較好的檢索效果，IE不支援本檢索系統。
