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| Caryā Nŗtya of Nepal: When "Becoming the Character" in Asian Performance Is Nonduality in "Quintessence of Void" | ||
| 作者 | Ahmed, Syed Jamil (著) |
|---|---|
| 出處題名 | TDR: The Drama Review |
| 卷期 | v.47 n.3 Autumn |
| 出版日期 | 2003 |
| 頁次 | 159 - 182 |
| 出版者 | MIT Press |
| 出版者網址 | http://mitpress.mit.edu/ |
| 出版地 | Cambridge, MA, US [劍橋, 麻薩諸塞州, 美國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 摘要 | Taking issue with Phillip Zarrilli's influential 1990 essay on what it means to "become the character" in Asian performance, Ahmed argues that Zarrilli's construct is problematic when viewed from a Buddhist perspective. Ahmed's case study is "Caryā Nŗtya," a ritual dance performed near Kathmandu in Nepal for over a thousand years. |
| 目次 | When South Asian Is Not Indian = Hindu 160 The Ritual Context of Caryā Nŗtya 161 Components of Caryā Nŗtya 163 The Visual Setting 163 The Aural Element 163 The Olfactory-Savory Stimuli 164 Movement 164 The Dancers and the Participants 164 Discerning a Performance of Caryā Nŗtya 165 Caryā Nŗtya As "Authentic" Ritual 165 Caryā Nŗtya As Cultural Tourism 166 PAÑCA BUDDHA 166 ĀRYĀ TĀRĀ 167 VAJRAPĀŅI 167 Interpreting Caryā Nŗtya 169 Quintessence of Void and Pure Consciousness 169 Caryā Nŗtya As Sādhanā for Transcending Duality 173 Sādhanā: Authentic or Spurious? 177 Becoming the Character 178 Notes 179 References 180 |
| ISSN | 10542043 (P); 15314715 (E) |
| 點閱次數 | 57 |
| 建檔日期 | 2024.06.12 |
| 更新日期 | 2024.06.12 |
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