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| 佛教唱導文本與上梁文經典體式的成型=Buddhist Monastery Singing Text and the Stylistic Formation of Shang Liang Wen=張慕華 | ||
| 作者 | 張慕華 (著)=Zhang, Mu-hua (au.) |
|---|---|
| 出處題名 | 四川大學學報 (哲學社會科學版)=Jounal of Sichuan University (Social Science Edition) |
| 卷期 | n.6 (總號=n.231) |
| 出版日期 | 2020 |
| 頁次 | 119 - 127 |
| 出版者 | 四川大學學報編輯部 |
| 出版地 | 成都, 中國 [Chengdu, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 張慕華，《中山大學學報》副編審。 |
| 關鍵詞 | 佛教=Buddhism; 唱導=monastery singing; 文體=literary style; 上梁文=shangliang wen; 齋文=zhai wen; 講經文=jiangjing wen |
| 摘要 | 上梁文是歷史悠久的建筑民俗文體，其名始見於唐五代，其體定型于宋代，經典體式為"首尾儷語，中陳六詩"。上梁文經典體式的成型與佛教唱導文本，尤其是齋文、講經文等關系密切。受佛教咒愿與功德思想影響，唐五代敦煌上梁文形成以贊嘆功德和次第發愿為主體的基本模式，然其體式駁雜，寄調"兒郎偉"民間辭曲,尚未具備穩定的文體形態。宋代上梁文在此基礎上，確立了"駢—韻—駢"的經典文體定式,其"首尾儷語"的行文布局與宮廷佛教齋文如出一轍；而其"三三七七七"體韻詩及駢韻組合體式，在唐代佛教講經文等唱導文書中不乏其例。可以推斷，宋代文人巧妙地借鑒了佛教齋文、講經文等唱導文本的文體樣式，最終創出別具一格、雅俗圓融的上梁文經典體式。追溯上梁文的成型之路，或可窺見社會文化諸因素對中國古代文體發展的重要影響。 Shangliang wen is an architectural folklore style with a long history. First seen in the Tang and Five Dynasties Period, the style of shangliang wen—with parallel prose at the beginning and end of each text, and six poems in the middle—was set in the Song Dynasty. The formation of this classic style is closely related to Buddhist monastery singing, especially zhai wen and jiangjing wen. Affected by the Buddhist wishes and merits thought, the basic model of shangliang wen in Dunhuang in the Tang and Five Dynasties was to treat praise merits and wishes by order as the main part of its text. However, with heterogeneous elements mixed in the erlangwei folk song text, it had not yet formed a stable style until Song Dynasty when the parallel proseverse-parallel prose was adopted, which is exactly the same as that of the court Buddhist zhai wen. Besides, it’s three-three-seven-seven-seven -character poetical lines are also common in Tang Dynasty Buddhist monastery singing documents, for example, the jiangjing wen texts. It can be inferred that the literati in the Song Dynasty cleverly borrowed the styles of monastery singing texts such as Buddhist zhai wen and jiangjing wen, and finally created a unique and elegant classic style of shangliang wen. Tracing back to the formation of shangliang wen’s, we can see the important influence of social and cultural factors on the development of ancient Chinese literary styles. |
| 目次 | 一、佛教 “讚歎” “咒願” 對敦煌上樑文的影響 120 二、宮廷佛事唱導文書與宋代上樑文之駢化 122 三、佛教唱導與宋代上樑文之 “兒郎偉” 韻詩 125 餘論 126 |
| ISSN | 10060766 (P) |
| 點閱次數 | 78 |
| 建檔日期 | 2024.03.28 |
| 更新日期 | 2024.03.28 |
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