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| The Spread of Sarnath - Style Buddha Images in Southeast Asia and Shandong, China, by the Sea Route | ||
| 作者 | Kang, Heejung (著) |
|---|---|
| 出處題名 | Kemanusiaan: The Asian Journal of Humanities |
| 卷期 | v.20 n.2 |
| 出版日期 | 2013 |
| 頁次 | 39 - 60 |
| 出版者 | Penerbit Universiti Sains Malaysia |
| 出版者網址 | https://penerbit.usm.my/ |
| 出版地 | Penang, Malaysia [檳城, 馬來西亞] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 關鍵詞 | Sarnath-style; Buddhist statues in Shandong; Funan; sea route; Faxian; Indianisation |
| 摘要 | Certain Buddhist statues discovered in Southeast Asia were sculpted after Sarnath-style sculptures. Thus, these statues were produced between the late fifth and early sixth centuries. Considering the sea route during that period, it was natural that Buddhist statues would be introduced from Sarnath to Funan in its prime via the Ganges and the Indian Ocean. Buddhist sculptures conveyed through that channel became the foundation for early Buddhist art in Southeast Asia. Based on the style created at Sarnath in India, this art is significant because it reveals the first stage of Buddhist art in Southeast Asia. These Buddhist sculptures reflect the Central and Southern Indian styles of the Gupta period. Hence, Buddhist art forms must have spread to Southeast Asia by different routes. Certain sculptures that were recently excavated in Shandong have no traces of drapery and have slender physical outlines. Such features were most likely influenced by styles employed in Sarnath Buddhist sculptures. These Shandong sculptures were most likely modelled after Buddhist statues discovered in Southeast Asian regions such as Thailand, Cambodia and Vietnam, indicating that Central Indian Buddhist art was introduced earlier than Southern Indian art and conveyed from the Ganges to the South China Sea through the Gulf of Bengal via the sea routes. Thus, Southeast Asian Buddhist sculpture was the "missing link" that connected Central India to East China, and it was highly valuable as the first stage in the area. |
| 目次 | Abstract 39 Keywords and phrases 39 Introduction 39 The First Stage of Buddhist Statues in Southeast Asia 41 The Spread of Sarnath-Style Sculpture from Southeast Asia to Shandong, China 51 Conclusion 56 Acknowledgement 58 Notes 58 Bibliography 59 |
| ISSN | 13949330 (P); 21804257 (E) |
| 點閱次數 | 73 |
| 建檔日期 | 2023.12.26 |
| 更新日期 | 2023.12.26 |
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