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| From Buddhist Icons to National Antiquities: Cultural Nationalism and Colonial Knowledge in the Making of Thailand's History of Art | ||
| 作者 | Peleggi, Maurizio (著) |
|---|---|
| 出處題名 | Modern Asian Studies |
| 卷期 | v.47 n.5 |
| 出版日期 | 2013.09 |
| 頁次 | 1520 - 1548 |
| 出版者 | Cambridge University Press |
| 出版者網址 | http://www.journals.cambridge.org |
| 出版地 | New York, NY, US [紐約, 紐約州, 美國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | Author Affiliation: National University of Singapore, Singapore. |
| 摘要 | In the mid 1920s Prince Damrong Rajanubhab and George Coedès jointly formulated the stylistic classification of Thailand's antiquities that was employed to reorganize the collection of the Bangkok Museum and has since acquired canonical status. The reorganization of the Bangkok Museum as a 'national' institution in the final years of royal absolutism responded to increasing international interest in the history and ancient art of Southeast Asia, but represented also the culmination of several decades of local antiquarian pursuits. This paper traces the origins of the art history of Thailand to the intellectual and ideological context of the turn of the twentieth century and examines its parallelism to colonial projects of knowledge that postulated a close linkage between race, ancestral territory and nationhood. |
| 目次 | Abstract 1520 Introduction 1520 Royal antiquarianism as a civilizing pursuit 1524 Colonial archaeology, scientific racism, borders and ruins 1530 The history of Siamese art in the Bangkok Museum 1536 Conclusion 1545 |
| ISSN | 0026749X (P); 14698099 (E) |
| 點閱次數 | 187 |
| 建檔日期 | 2023.12.25 |
| 更新日期 | 2023.12.25 |
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