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| 明代法海寺壁畫的世俗化元素=The Secularization Elements of the Fa-hai Temple Frescoes | ||
| 作者 | 肖晶 (著)=Xiao, Jing (au.) |
|---|---|
| 出處題名 | 南通大學學報 (社會科學版)=Journal of Nantong University (Social Sciences Edition) |
| 卷期 | v.33 n.1 |
| 出版日期 | 2017.01 |
| 頁次 | 87 - 92 |
| 出版者 | 南通師範學院 |
| 出版者網址 | http://www.ntgs.com.cn/ |
| 出版地 | 江蘇, 中國 [Chiangsu, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 肖晶(1981—),女,江蘇南通人,南通大學藝術學院講師。 |
| 關鍵詞 | 法海寺壁畫=Fa-hai Temple frescoes; 世俗化=secularization; 宮廷繪畫=court paintings |
| 摘要 | 法海寺壁畫堪稱明代壁畫的精品,彰顯了明代壁畫藝術的最高水平。其藝術價值的體現除了精湛高超的繪制技巧,畫面元素的世俗化也是重要特征之一。法海寺壁畫的世俗化除與明初援儒入佛等思想背景密切相關外,與明初宮廷繪畫「助名教翼群倫」的社會教化功能及風格的轉變也有著緊密的聯系。法海寺壁畫在畫面構圖中體現了儒家思想中「三綱五常」的等級制度;在畫面人物形象塑造中,以宮廷及民間人物形象演繹宗教人物形象;在畫面背景造景上,於傳統宗教題材中更多地融入了生趣盎然的世俗生活情景;在畫面整體取色法度上,迎合了中國傳統民間繪畫配色法則的裝飾性,在設色技法上運用了「隨類賦彩」與「五彩彰施」的寫實性,設色的實用性與裝飾性相融合,體現了法海寺壁畫奢華世俗的藝術風格。法海寺壁畫以「人文主義」思想演繹神聖的宗教哲學,促使了宗教壁畫在表現形式、審美趣味上的平民化、世俗化轉變,賦予了傳統壁畫新的生命力,同時也迎合了宮廷繪畫的教化作用和審美趣味。 The Fa -hai Temple frescoes could be considered as the most exquisite frescoes of Ming Dynasty. The artistic values of these frescoes lie not only in the superb techniques of painting but also in the secularization elements. The secularization of themes, figures and techniques is one of the unique characteristics of the Fa-hai Temple frescoes. The secularization elements of the Fa-hai Temple frescoes are closely related to the trend of introducing Confucianism into Buddhism during the early Ming Dynasty and the stylistic transformation of the early Ming Dynasty court paintings. The Fa-hai Temple frescoes illustrated the “Confulegalistic Hierarchical Ethical Order” of Confucianism throughout the image plane composition and break through the themes of traditional frescoes by personifying the religious figures with vivid and realistic characteristics and introducing the taste of natural real life into the scene. In the respect of the coloring concept, the Fa-hai Temple frescoes inherited the traditional Chinese local decorative color matching laws and at the same time retained the conformity the kind in applying colors. The combination of decoration and realism of coloring brings the Fa-hai Temple frescoes a splendid and luxurious artistic style. The Fa -hai Temple frescoes illustrated those sacred religious themes with secular elements in forms and artistic tastes, and thus displayed a new living expression of “Humanism”. |
| 目次 | 一、壁畫構圖之援儒入佛 88 二、壁畫神像之塵俗風貌 89 三、壁畫背景之野趣盎然 90 四、壁畫設色之時尚取向 91 |
| ISSN | 16732359 (P) |
| 點閱次數 | 50 |
| 建檔日期 | 2023.12.14 |
| 更新日期 | 2023.12.14 |
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