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| Performing Ethnicity in Southern Shan State, Burma/Myanmar: The Ozi and Gong Traditions of the Myelat | ||
| 作者 | Douglas, Gavin (著) |
|---|---|
| 出處題名 | Ethnomusicology |
| 卷期 | v.57 n.2 Spring/Summer |
| 出版日期 | 2013 |
| 頁次 | 185 - 206 |
| 出版者 | University of Illinois Press |
| 出版者網址 | http://www.press.uillinois.edu/journals/ |
| 出版地 | Champaign, IL, US [香檳, 伊利諾州, 美國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | Author Affiliation: University of North Carolina at Greensboro, USA. |
| 摘要 | Between the Burman lowlands and the Shan highlands of Myanmar lies a transitional zone known as the myelat that is home to several ethnic minorities. The Danu, Pa-O, Taungyo, and Intha communities all define themselves in contrast to the Burman and Shan populations that dominate to the west and the east. In this paper I examine the performance of ethnic identities through their use of distinct ozi drum traditions articulated with different drum sizes, rhythms, accompanying instruments, tempos, dance props, and gestures. The ozi and gong ensembles operate as markers of difference between the region's ethnicities, but also, given their stylistic similarities, reveal a clear example of the malleable and relational aspects of identity in a region of the world where ethnic affiliation is the primary marker of social identity and also the source of much political strife. |
| 目次 | Ethnicity and Boundaries 187 Altitude, Attitude and Allegiance 188 The State and Zomia 189 Ozi and Gong Ensembles 193 Porous Boundaries 199 Assertion of Identity for Local and National Politics 201 Conclusion 204 Acknowledgements 204 Notes 204 References 205 |
| ISSN | 00141836 (P); 21567417 (E) |
| DOI | 10.5406/ethnomusicology.57.2.0185 |
| 點閱次數 | 116 |
| 建檔日期 | 2023.11.09 |
| 更新日期 | 2023.11.09 |
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