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| King Jeongjo's Patronage of Kim Hong-do | ||
| 作者 | Kim, Kumja Paik (著) |
|---|---|
| 出處題名 | Archives of Asian Art |
| 卷期 | v.66 n.1 |
| 出版日期 | 2016 |
| 頁次 | 51 - 80 |
| 出版者 | Duke University Press |
| 出版者網址 | https://www.dukeupress.edu/ |
| 出版地 | Davis, CA, US [戴維斯, 加利福尼亞州, 美國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | Kumja Paik Kim, Asian Art Museum, San Francisco |
| 關鍵詞 | Kim Hong-do (1745-ca.1806); King Jeongjo (r. 1776-1800); Gang Se-hwang (1713-1791); court painters-in-waiting (jabi daeryeong hwawon); scholar's accoutrements (chaekga or chaekgeori); genre painting (sokhwa); Diamond Mountains (Geumgang-san); royal portrait (eojin); Hwaseong (present-day Suwon); Yongju-sa (Yongju temple) |
| 摘要 | The eighteenth-century Korean painter Kim Hong-do 金弘道 (1745–ca. 1806) still dazzles today's viewers with his paintings of genre scenes and Daoist immortals, just as he astonished his contemporaries with his talent and versatility. Although he had numerous patrons, none had as much impact on his art as King Jeongjo 正祖 (r. 1776–1800). By examining written records and Kim's extant paintings, this paper explores and assesses the significance of King Jeongjo's patronage in unlocking the opportunities that enabled Kim Hong-do to reach his full potential as the most versatile painter in Korea. |
| 目次 | Abstract 51 KEYWORDS 51 Introduction 51 Kim Hong-do's Early Career as Court Painter 51 Royal Library (Gyujanggak 奎章閣) 52 Court Painters-in-Waiting (Jabi daeryeong hwawon 差備待令畵員) 53 Scholar's Accoutrements (Munbang 文房) 53 Genre Painting (Sokhwa 俗畵) 55 Second Royal Portrait Project 58 Diamond Mountains (Geumgang-san 金剛山) Travels Abroad 61 Yongja-sa 龍珠寺 61 Third Royal Portrait Project 62 Magistrate of Yeonpung (Yeonpung Hyeongam 延豐縣監) 63 Hwaseiong 華城 63 Illustrations 66 Kim's Last Painting for King Jeongjo 67 Conclusion 69 Notes 70 |
| ISSN | 00666637 (P); 19446497 (E) |
| 點閱次數 | 45 |
| 建檔日期 | 2023.10.27 |
| 更新日期 | 2023.10.27 |
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