 |
|
| The Thousand-armed Mañjuśrī at Dunhuang and Paired Images in Buddhist Visual Culture | ||
| 作者 | Wang, Michelle C. (著) |
|---|---|
| 出處題名 | Archives of Asian Art |
| 卷期 | v.66 n.1 |
| 出版日期 | 2016 |
| 頁次 | 81 - 105 |
| 出版者 | Duke University Press |
| 出版者網址 | https://www.dukeupress.edu/ |
| 出版地 | Davis, CA, US [戴維斯, 加利福尼亞州, 美國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | Michelle C. Wang Georgetown University |
| 關鍵詞 | Thousand-armed Mañjuśrī; Thousand-armed Avalokiteśvara; Mañjuśrī Avalokiteśvara; Mt. Wutai; Dunhuang; Mogao caves; mural painting; Buddhist painting; Buddhist art; esoteric Buddhism; Huayan Buddhism |
| 摘要 | The Thousand-armed Mañjuśrī is an enigmatic form of the bodhisattva that appeared primarily in the Mogao cave shrines in northwestern China. There, the deity was nearly always paired with the Thousand-armed Avalokiteśvara on opposite walls or on opposite sides of a doorway. Curiously, this pairing is absent from any of the Buddhist sutras associated with the two. This article argues that texts were a starting point rather than an end point for the establishment of the Thousand-armed Mañjuśrī's iconographic characteristics, and that the pairing of the two deities is crucial for understanding the gaps between the deity's textual description and its visual representation. |
| 目次 | Abstract 81 KEYWORDS 81 Introduction 81 Mañjuśrī as Paired and Independent Deity 84 The Creation of the Thousand-armed Mañjuśrī 87 Paired Images and Borrowed Iconography 88 Convergences: Bodhisattva Cults and Savior Deities 96 Conclusion 99 Notes 99 |
| ISSN | 00666637 (P); 19446497 (E) |
| 點閱次數 | 110 |
| 建檔日期 | 2023.10.27 |
| 更新日期 | 2023.10.27 |
建議您使用 Chrome, Firefox, Safari(Mac) 瀏覽器能獲得較好的檢索效果，IE不支援本檢索系統。
