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| Imperial Apparitions: Manchu Buddhism and the Cult of Mañjuśrī | ||
| 作者 | Chou, Wen-Shing (著) |
|---|---|
| 出處題名 | Archives of Asian Art |
| 卷期 | v.65 n.1/2 |
| 出版日期 | 2015 |
| 頁次 | 139 - 179 |
| 出版者 | Duke University Press |
| 出版者網址 | https://www.dukeupress.edu/ |
| 出版地 | Davis, CA, US [戴維斯, 加利福尼亞州, 美國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | Wen-Shing Chou, Hunter College |
| 關鍵詞 | Manchu Buddhism; the Qianlong emperor; Wutai Shan; Baodi Si; Baoxiang Si; Xiang Shan; Shuxiang Si; Chengde; Mañjuśrī; Tibetan Buddhism; Chinese Buddhism; divine kingship |
| 摘要 | This essay reconsiders the Qing imperial appropriation of the sacred mountain range of Wutai Shan through a study of three Manchu monasteries, Baodi Si, Baoxiang Si, and Shuxiang Si, built at the court of the Qianlong emperor between 1750 and 1775. Qianlong's consuming interest in the vision cult of Wutai Shan's resident deity Mañjuśrī is displayed in the building of the three monasteries, which were all modelled after famed temples at Wutai Shan. An investigation of the ritual, architectural, and artistic productions surrounding the three monasteries reveals the crafting of a distinct Manchu Imperial Buddhist identity centered on Qianlong himself as the apparition of Mañjuśrī at Wutai Shan. |
| 目次 | Abstract 139 KEYWORDS 139 Baodi Si: Founding a New Manchu Monastic Culture 141 Baoxiang Si: Staging an Apparition 148 Rituals of Transformation 153 Shuxiang Si at Chengde: Copying the Copy 162 Lives of and Image 167 Replication, Translation, and the New Geography of Manchu Imperial Buddhism 168 Rethinking Universal Emperorship 170 Acknowledgments 171 Notes 171 |
| ISSN | 00666637 (P); 19446497 (E) |
| 點閱次數 | 78 |
| 建檔日期 | 2023.10.27 |
| 更新日期 | 2023.10.27 |
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