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| Harmony and Counterpoint: Ritual Music in Chinese Context | ||
| 作者 | Yung, Bell (編) ; Rawski, Evelyn S. (編) ; Watson, Rubie S. (編) |
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| 版本項 | First ed. |
| 出版日期 | 1996.08.01 |
| 頁次 | 340 |
| 出版者 | Stanford University Press |
| 出版者網址 | https://sup.org/ |
| 出版地 | Stanford, CA, US [史丹佛, 加利福尼亞州, 美國] |
| 資料類型 | 書籍=Book |
| 使用語言 | 英文=English |
| 摘要 | This volume of nine essays draws together leading scholars in anthropology, social history, musicology, and ethnomusicology to address the roles and functions of music in the Chinese ritual context. How does music, one of a constellation of essential performative elements in almost all rituals, empower an officiant, legitimate an officeholder, create a heightened state of awareness, convey a message, or produce a magical outcome, a transition, a transformation? After an introduction by the volume editors, Bell Yung proposes a theoretical framework for dealing with Chinese ritual sound. A group of three essays focuses on the music for rituals that create political and social legitimacy followed by a second group of essays considering the music associated with rites of passage. Two essays then deal with the music accompanying rituals of propitiation. In all these cases, music is seen to play a critical role, if not the core of the ritual. |
| 目次 | Introduction 1 The Nature of Chinese Ritual Sound 13 Ritual and Musical Politics in the Court 35 State Sacrificial Music and Korean Identity 54 Musical Assertion of Status Among 76 The Creation of an Emperor 150 Notes 249 Works Cited 263 Character List 287 Index 297 |
| ISBN | 9780804726580 (hc) |
| 相關書評 | |
| 點閱次數 | 203 |
| 建檔日期 | 2023.10.06 |
| 更新日期 | 2023.10.06 |
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