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| Seeing as Worldmaking: Ten Views of a Lingbi Rock and Yogācārin Epistemology in Late Ming China | ||
| 作者 | Oh, Seung Hee (著) |
|---|---|
| 出處題名 | Religions |
| 卷期 | v.13 n.12 |
| 出版日期 | 2022.12 |
| 頁次 | 14 |
| 出版者 | MDIP |
| 出版者網址 | https://www.mdpi.com/ |
| 出版地 | Basel, Switzerland [巴塞爾, 瑞士] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | 1. Author Affiliation: Harvard University, USA. 2. Religions 2022, 13(12), 1182. |
| 關鍵詞 | Wu Bin; Ten Views of a Lingbi Rock; Yogacara Buddhism; Surangama Sutra; late Ming; epistemology |
| 摘要 | This paper examines Wu Bin’s (c. 1543–c. 1626) Ten Views of a Lingbi Rock (1610) from the perspective of Buddhist epistemological notions in seventeenth-century China. In studying a series of gazes focusing on a single object—a stone with a very complex surface—my discussion posits an act of excessive seeing as a process of making worlds. I take a theoretical cue from contemporaneous intellectual discourses, especially those that flourished with the revival of Yogācāra Buddhism in late Ming China. This paper will show how an art object comes into being in perceivable worlds interconnected by the individual’s sensory experiences. My study aims to inquire into the role of illusion as sensory experiences, phenomenological processes, and even notions of soteriological efficacy beyond formal artistic devices. To that end, this paper is the first attempt to situate Ten Views of a Lingbi Rock alongside Buddhist thoughts and artmaking. |
| 目次 | Abstract 1 Keywords 1 1. Introduction 1 1.1. Collective Views 2 1.2. Seeing as Worldmaking 6 2. Conclusions 9 Notes 10 References 12 Primary Sources 12 Secondary Sources 12 |
| ISSN | 20771444 (E) |
| DOI | 10.3390/rel13121182 |
| 點閱次數 | 40 |
| 建檔日期 | 2023.10.03 |
| 更新日期 | 2023.10.03 |
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