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| On White Marble Half-lotus Meditation Statues Carved in Wuding Era of the Eastern Wei Dynasty | ||
| 作者 | So, Hyun-Sook (著) ; Ding, Xiaolei (譯) |
|---|---|
| 出處題名 | Chinese Archaeology |
| 卷期 | v.19 n.1 |
| 出版日期 | 2019 |
| 頁次 | 182 - 194 |
| 出版者 | Institute of Archaeology of the Chinese Academy of Sciences |
| 出版者網址 | http://www.kaogu.net.cn |
| 出版地 | 北京, 中國 [Beijing, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | The original paper published in Kaogu 考古 (Archaeology) 2017.9:94–108 with 16 colored illustrations is authored by Hyun Sook So 蘇鉉淑. This English translation was made by Xiaolei Ding 丁晓雷. |
| 關鍵詞 | Buddhist gods in art; Buddhist sculptures– Northern and Southern Dynasties Period (386–589 CE); meditation in art |
| 摘要 | In 2012, large amounts of white marble Buddhist statues of the Eastern Wei and Northern Qi Dynasties were unearthed from the Buddhist sculpture hoard at Bei Wuzhuang in Ye City Site. This paper makes a comparative study on a bodhisattva statue in meditation seated in half-lotus posture (resting right ankle on the knee of pendent left leg and holding right hand upward) among them and another sculpture of the same type and made in the same period unearthed at the Xiude Monastery site in Dingzhou; from the double-tree, stupa and coiling dragon designs shown by them, this paper explores the commonalities and differences of the Buddhist arts in these two areas. Moreover, this paper reveals that this motif emerged earlier in the Ye City area than in the Dingzhou area, and diffused to the latter after it became popular in the Ye City area. By these conclusions, this paper infers that the white marble meditating statue seated in half-lotus position with the date of the second year of Wuding Era (544 CE) in the collection of the Metropolitan Museum of Art in New York, USA was produced in Ye City area. |
| ISSN | 21605025 (P); 21605068 (E) |
| DOI | https://doi.org/10.1515/char-2019-0014 |
| 點閱次數 | 139 |
| 建檔日期 | 2023.09.15 |
| 更新日期 | 2023.09.15 |
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