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| 燃燈祈福胡伎樂——西安碑林藏盛唐佛教“燃燈石臺贊”藝術新知=Lighting the Lantern and Performing Foreign Dance and Music to Pray for Good Fortune——A New Artistic Learning on the Buddhist “Eulogy on the Stone Lantern”Inscription of the High Tang Period Collected in the Beilin Museum, Xi’an | ||
| 作者 | 葛承雍 (著)=Ge, Cheng-yong (au.) |
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| 出處題名 | 文物=Cultural Relics=文物參考資料 |
| 卷期 | n.1 |
| 出版日期 | 2017.01 |
| 頁次 | 1, 60 - 75 |
| 出版者 | 文物出版社 |
| 出版地 | 北京, 中國 [Beijing, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 作者單位：首都師范大學歷史學院。 |
| 關鍵詞 | 敦煌文書 |
| 摘要 | 在寺院道觀中供奉燃燈石臺曾為盛唐時的流行風尚，但實物留存較少。西安碑林于20世紀50年代入藏的開元二十九年(741年)燃燈石臺，其上刻《燃燈石臺贊》銘文并署有供燈祈福者的官職和姓名。祈福者為來自內教坊、云韶府、寧王府、彰禮門、京總監的66人，其中包括任云韶使的宦官蘇思勖，琵琶高手賀懷智、紀孩孩等。石臺上還刻有具異域風情的胡人樂舞和異獸，其形式與風格應來自拂菻藝術。 To donate stone lanterns to the Buddhist and Taoist monasteries and temples was a very popular fashion in the High Tang period, but very few physical cases of the stone lanterns of that time survived to the present. In the 1950 s, the Beilin Museum in Xi’ an acquired a stone lantern pillar carved in the twenty-ninth year of Kaiyuan Era(741) of the Tang Dynasty, which bears the inscription of "Randeng shitai zan(Eulogy on the stone lantern)" and the names and official titles of the donors of this stone lantern to pray for good fortune. The 66 donors were from the neijiaofang( Palace Music School),yunshaofu( Bureau of Natural Harmony), Mansion of Prince of Ning, Zhangli Gate, jingzongjian(supervisor-general of the Court of the Imperial Stud) and other institutions, including Su Sixu, who was the director of the Bureau of Natural Harmony, and He Huaizhi and Ji Haihai, who were two of the famous pipa-lute musicians at that time. On the stone pillar, the scene of dance and music performance played by the people in foreign costumes and facial features and figures of exotic animals are also carved, the form and style of which would be from the Byzantine art. |
| 目次 | 一 “燃燈石台贊”祈願見證 60 二 佛教燃燈是節日信仰標誌 65 三 燃燈石台的藝術題材 70 |
| ISSN | 05114772 (P) |
| 點閱次數 | 76 |
| 建檔日期 | 2023.09.14 |
| 更新日期 | 2023.09.14 |
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