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| The Light-color Problem in Wittgenstein | ||
| 作者 | Cascion, Giuseppe (著) |
|---|---|
| 出處題名 | Semiotica: Journal of the International Association for Semiotic Studies=Revue de l'Association Internationale de Sémiotique |
| 卷期 | v.136 n.1-4 |
| 出版日期 | 2001 |
| 頁次 | 85 - 94 |
| 出版者 | De Gruyter |
| 出版者網址 | https://www.degruyter.com/ |
| 出版地 | Berlin, Germany [柏林, 德國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | Giuseppe Cascione was born in Bari in 1959 and is currently Associate Professor of Political Philosophy at the University of Bari Aldo Moro, Italy. As PhD in “Theories of Language and Sciences of signs”, he taught Philosopy of Language at the University of Bari Aldo Moro, Department of Linguistic Practices, directed by Prof. Augusto Ponzio (1994-98), before becoming research fellow and professor of “Political Philosophy” at Bari(2002-). Since 2012, he is member of many academic top managing councils of the University of Bari Aldo Moro: the Academic Senate, the Research Board, the Central Electoral Board, the Post-degree Board. He is director of the Master “Migrations, Citizenship, Rights” at University of Bari Aldo Moro (2014-) and of the scientific journal “Iconocrazia. Potere delle immagini, immagini del potere”. He is author of several volumes, some of which in co-authorship with others, and of many articles. His research is focused on three principal areas: Ethics and Politics, Language and Politics and Political Iconography. |
| 摘要 | The aim of this article is to try to re-establish an equilibrium in the 'relations of strength' between light and color. Through the analysis of Wittgenstein's works - the Tractatus, published during his lifetime, and his posthumous works, particularly the Bemerkungen üher die Farben - I will try to describe a process that leads us to reevaluate the problem of colors, and to reduce that of light. Initially, I will refer to the Tractatus in trying to make a comparison between Wittgenstein's philosophical attitude and a Japanese artistic phenomenon, Zen painting. Secondly, I will examine Wittgenstein's "Goethean background', referring in particular to the well-known Goethe-Newton polemic, the starting point for Wittgenstein's position on colors. In the third and final part, I will concentrate on the results that Wittgenstein reaches in the Bemerkungen über die Farben, in terms of a reevaluation of color as a logical form, but above all as a linguistic tool that allows the contemplation - even if indirect - of light. |
| ISSN | 00371998 (P); 16133692 (E) |
| DOI | https://doi.org/10.1515/semi.2001.101 |
| 點閱次數 | 1 |
| 建檔日期 | 2023.09.12 |
| 更新日期 | 2023.09.12 |
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