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| The Ninna-ji Amida Triad and the Orthodox Style | ||
| 作者 | McCallum, Donald F. (著) |
|---|---|
| 出處題名 | Artibus Asiae |
| 卷期 | v.36 n.3 |
| 出版日期 | 1974 |
| 頁次 | 219 - 241 |
| 出版者 | Museum Rietberg Zurich |
| 出版者網址 | http://www.artibusasiae.com |
| 出版地 | Zurich, Switzerland [蘇黎世, 瑞士] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | Donald F. McCallum was an art historian, professor, and chair at UCLA's Department of Art History. |
| 摘要 | Few monuments of Heian sculpture have evoked as much controversy as the Ninna-ji Amida Triad. In addition to its aesthetic merit and the interest of its historical situation, this monument is an extremely important exemplification of the conservative "orthodox" style of Heian sculpture. In this paper I should like first to present a detailed analysis of the historical, iconographical, technical and stylistic issues connected with the Ninna-ji Amida Triad. Following this I shall survey the evolution of the orthodox style from the eighth through the tenth century in order to place the triad in its proper historical milieu. Not only will this survey have specific relevance to the Ninna-ji Triad, but it also should be helpful in clarifying the nature of certain important stylistic developments in Heian sculpture. |
| 目次 | PART I: THE NINNA-JI AMIDA TRIAD 219 PART II: THE ORTHODOX STYLE 234 |
| ISSN | 00043648 (P) |
| DOI | 10.2307/3249723 |
| 點閱次數 | 190 |
| 建檔日期 | 2023.09.05 |
| 更新日期 | 2023.09.05 |
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