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| Playing the Patriarch: Representation and Transformation in the Zen Sermon | ||
| 作者 | Joskovich, Erez (著) |
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| 出處題名 | Journal of the American Academy of Religion |
| 卷期 | v.85 n.2 |
| 出版日期 | 2017.06 |
| 頁次 | 470 - 493 |
| 出版者 | Oxford University Press |
| 出版者網址 | http://ukcatalogue.oup.com/ |
| 出版地 | Oxford, UK [牛津, 英國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 摘要 | In this paper I discuss the characteristics and meaning of the abbot’s sermon in the Japanese Rinzai Zen tradition. Using ethnographic data, viewed in light of performance theory, I contend that it is possible to go beyond the boundaries that have characterized previous scholarly understandings of Zen ritual (action/insight, social/mental, and formalism/authenticity). Accordingly, I demonstrate that the sermon serves as an arena for social interaction, and enforces institutional order, but at the same time, it also serves as a transformative medium that changes the participant's state of being. Finally, I contend that performance theory articulates an inherent connection between realization and enactment, as well as awakening and its manifestation; thus, it has the potential to shed new light on our current understanding of Zen practice. |
| 目次 | Abstract 470 Setting The Stage 473 Raising The Curtain 477 Performing Buddhahood 480 Epilogue 487 References 489 |
| ISSN | 00027189 (P); 14774585 (E) |
| DOI | https://doi.org/10.1093/jaarel/lfw065 |
| 點閱次數 | 216 |
| 建檔日期 | 2023.08.10 |
| 更新日期 | 2023.08.10 |
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