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| The Iconography and Symbolism of the Pacceka Buddhas in the Art of Pagan | ||
| 作者 | Poolsuwan, Samerchai (著) |
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| 出處題名 | Artibus Asiae |
| 卷期 | v.76 n.1 Special Issue |
| 出版日期 | 2016 |
| 頁次 | 37 - 59, 61 - 80 |
| 出版者 | Museum Rietberg Zurich |
| 出版者網址 | http://www.artibusasiae.com |
| 出版地 | Zurich, Switzerland [蘇黎世, 瑞士] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | Author Affiliation: Thammasat University |
| 摘要 | In Buddhist literature can be found descriptions of three types of "fully awakened beings": Omniscient Buddhas, their enlightened disciples or arhants, and a lesser order of Buddhas called, in Pali, Pacceka Buddhas (Skt. Pratyeka). The first two types are well known in studies on Buddhist art, but the last one has not yet adequately received the attention it merits. The Pacceka Buddhas are those whose insight into the "Four Noble Truths" of Buddhism had been gained through self-enlightenment, but who were unable to explain these noble truths to others. They preferred to adopt a solitary, ascetic, and meditative life after their enlightenment. The existence of the Pacceka Buddhas is rooted in a very early stratum of Buddhist literature.' Their role, however, is not central to Buddhism, since they neither proclaim the supreme teachings nor do they encourage monasticism. |
| 目次 | Introduction 37 The Thambula-Hpaya Temple 41 Hpaya-thon-zu Temple 45 Pagan Temple Murals: The Buddha's Footprints 49 Ananda-Gu-Hpaya-Gyi Temple 52 Conclusion 55 Glossary 58 |
| ISSN | 00043648 (P) |
| 點閱次數 | 85 |
| 建檔日期 | 2023.08.08 |
| 更新日期 | 2023.08.08 |
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