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| The Amitābha "Senbutsu" Unearthed in Japan: Close Interactions with Unified Silla Korea in the Late Seventh Century | ||
| 作者 | Shirai, Yoko Hsueh (著) |
|---|---|
| 出處題名 | Artibus Asiae |
| 卷期 | v.74 n.1 |
| 出版日期 | 2014 |
| 頁次 | 163 - 190 |
| 出版者 | Museum Rietberg Zurich |
| 出版者網址 | http://www.artibusasiae.com |
| 出版地 | Zurich, Switzerland [蘇黎世, 瑞士] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | Author affiliation: University of California, Los Angeles |
| 摘要 | Among the various types of senbutsu -figured clay tiles with Buddhist subject matter found in Japan- those bearing an image of Amitābha (Amida) and attendants in an architectural setting are not the earliest but the largest (approximately 55 centimeters high x 51 centimeters wide) and most complex. In this study I demonstrate that the Amitābha senbutsu were created in Japan during the fourth quarter of the seventh century, clearly reflecting influences from contemporary objects circulating in Unified Silla (668-935) on the Korean peninsula, in addition to those originating from Tang China (618-907). The emergence of the Amitabha senbutsu, circa 690s, and their limited distribution in or near the Heijō capital (in present-day Nara prefecture) may be connected to other new, local developments. Specifically, I believe the tiles may have served as one reference used by mural painters of the Hōryūji Golden Hall (Ikaruga, Nara prefecture) around the end of the seventh century. |
| 目次 | Iconography of the Amitābha Senbutsu 163 Excavation and Distribution Sites of the Amitābha Senbutsu 169 Possible Models 171 Amitābha Images in Early Japan 176 Another Look at the Relationship Between the Hōryūji Murals and the Amitābha Senbutsu 185 Hōryūji Amitābha Senbutsu and Oshidashibutsu 186 Acknowledgements 188 Glossary 189 |
| ISSN | 00043648 (P) |
| 點閱次數 | 180 |
| 建檔日期 | 2023.08.04 |
| 更新日期 | 2023.08.04 |
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