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| Envisioning the World within or without Limits: On Representation and Creativity in the Aesthetics of 17th Century China | ||
| 作者 | Lukicheva, Polina (著) |
|---|---|
| 出處題名 | Asiatische Studien : Zeitschrift der Schweizerischen Gesellschaft für Asienkunde=Etudes asiatiques : revue de la Société Suisse d'études asiatiques |
| 卷期 | v.74 n.4 Special Issue |
| 出版日期 | 2020.11 |
| 頁次 | 1081 - 1101 |
| 出版者 | Swiss Asia Society=Schweizerische Asiengesellschaft |
| 出版者網址 | http://www.sagw.ch/asiengesellschaft |
| 出版地 | Zurich, Switzerland [蘇黎世, 瑞士] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | Author affiliation: Institute of Asian and Oriental Studies, University of Zurich |
| 關鍵詞 | illusion; image; moment of perception; reality |
| 摘要 | This essay examines a number of statements on painting and visual perception by Chinese literati artists of the late Ming – early Qing periods. It argues that the approaches to pictorial representation and creativity entailed in these statements reveal a considerable impact of Buddhist theories of consciousness. In the theories analyzed, pictorial representation is discussed in terms of ways and modes of how the mind relates to the world. As will be demonstrated, the function of expressing cognitive organization in representation is given more prominence than the function of rendering an external reality. The view of pictorial representation as being essentially what the mind produces in its relation to the world provides a basis for the assumption of a fundamental affinity between the creation of an image and the process how phenomenal reality unfolds by virtue of cognitive operations. This assumption seems to broadly underpin the painting theories discussed. And it is this assumption that provides a clue how and why the literati artists adopt Buddhist theories of cognition to the understanding of art. In the last section of the essay, we turn to the sources which cast still another perspective on artistic practice, namely a practice which captures a single moment of pure direct perception. |
| 目次 | Abstract 1081 1 World as picture, picture as world 1081 2 Envisioning the world as it is 1091 References 1099 Primary Sources 1099 Secondary Sources 1100 |
| ISSN | 00044717 (P); 22355871 (E) |
| DOI | 10.1515/asia-2021-0001 |
| 點閱次數 | 69 |
| 建檔日期 | 2023.08.04 |
| 更新日期 | 2023.08.04 |
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