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| Buddha in a Box: The Materiality of Recitation in Contemporary Chinese Buddhism | ||
| 作者 | Heller, Natasha (著) |
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| 出處題名 | Material Religion: The Journal of Objects, Art and Belief |
| 卷期 | v.10 n.3 |
| 出版日期 | 2014 |
| 頁次 | 294 - 314 |
| 出版者 | Bloomsbury Journals |
| 出版者網址 | http://www.bloomsbury.com/journals |
| 出版地 | London, UK [倫敦, 英國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 關鍵詞 | Buddhism; Taiwan; China; recording; recitation; Pure Land; nianfo; device; sound |
| 摘要 | Buddha-recitation devices (nianfo ji 念佛機) use modern technology to reproduce the name of the Buddha endlessly, offering this function in the form of portable plastic boxes akin to small radios or iPods. These devices raise key questions for our understanding of contemporary Buddhism: Why is a specialized device necessary? How is the device shaped by earlier traditions of recitation and sound? The Buddha-recitation device uses packaging and ornamentation to establish its status as a religious object, thereby sanctifying the ordinary function of producing sound. Although this mechanized recitation appears to replace that of human voice, analysis of miracle tales, personal testimonials, and doctrinal discussions shows that these devices more closely emulate the sacred sounds spontaneously produced in the environment of the western paradise where Buddhists aspire to be reborn. |
| 目次 | Abstract 295 Premodern Technologies 297 The Sound of the Pure Land 299 Packaging the Buddha-recitation Device 301 Testimonials 306 At the End of Life and After Death 308 Doctrine 310 Conclusions 312 Notes and References 313 |
| ISSN | 17432200 (P); 17518342 (E) |
| DOI | https://doi.org/10.2752/175183414X14101642921384 |
| 點閱次數 | 357 |
| 建檔日期 | 2023.08.03 |
| 更新日期 | 2023.08.03 |
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