 |
|
| Aśvaghoṣa between Gandhara and Kucha: The Śāriputraprakaraṇa and Its Narrative Expression in a Forgotten Slab from Mount Karamar | ||
| 作者 | Schulz, Robert (著) |
|---|---|
| 出處題名 | Acta Orientalia Academiae Scientiarum Hungaricae |
| 卷期 | v.75 n.4 |
| 出版日期 | 2022.12 |
| 頁次 | 515 - 547 |
| 出版者 | Akademiai Kiado Rt. |
| 出版者網址 | http://www.akademiai.com |
| 出版地 | Budapest, Hungary [布達佩斯, 匈牙利] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 關鍵詞 | Aśvaghoṣa; Śāriputraprakaraṇa; Śāriputra and Maudgalyāyana; Gandhara; parivrājaka; Buddhist narratives; Saundarananda; Nanda; skull-tapper |
| 摘要 | The article suggests identifying two scenes on a Gandhara slab from Karamar with plays written by Aśvaghoṣa. One, preserved in the Berlin Turfan collection, is among the oldest known Indian theatre plays (Śāriputraprakaraṇa) focusing on the conversion of Śāriputra and Maudgalyāyana, two of the most important Buddhist monks certainly belonging to the 2nd century. The second scene shows the conversion of Nanda, the half-brother of the Buddha as described in the Saundarananda attributed to the same author. Attempts shall be made to identify the art historical templates and at the same time to trace its subtle iconography. |
| 目次 | Abstract 515 The Karamar Slabs 515 Representations of Wandering Ascetics (Parivrājakas) in Gandhara 517 Subtle Iconography as a Source for New Compositions 520 The Conversion of Śāriputra and Maudgalyāyana 525 The Writing of Aśvaghoṣa as Narrative Source 530 Attempt of a Contextualization 534 Considerations on Dating 536 Implicit Assumptions 540 Acknowledgement 540 Primary Sources 540 Bibliography 541 |
| ISSN | 00016446 (P); 15882667 (E) |
| DOI | https://doi.org/10.1556/062.2022.00230 |
| 點閱次數 | 250 |
| 建檔日期 | 2023.07.21 |
| 更新日期 | 2023.07.21 |
建議您使用 Chrome, Firefox, Safari(Mac) 瀏覽器能獲得較好的檢索效果，IE不支援本檢索系統。
