![]() |
|
| Repository of Ingenuity: Cave 61 and Artistic Appropriation in Tenth-Century Dunhuang | ||
| 作者 | Lee, Sonya S. (著) |
|---|---|
| 出處題名 | The Art Bulletin |
| 卷期 | v.94 n.2 |
| 出版日期 | 2012.06 |
| 頁次 | 199 - 225 |
| 出版者 | College Art Association |
| 出版者網址 | http://www.collegeart.org |
| 出版地 | New York, NY, US [紐約, 紐約州, 美國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 摘要 | In 947 Cao Yuanzhong, military commissioner of the Hexi region and the de facto ruler of Dunhuang, began the construction of Cave 61 at Mogao in northwestern China. The structure's architecture, location, and pictorial program bear a remarkable degree of similarity to the caves of his predecessors. The apparent repetition of the earlier designs has led past scholars to dismiss Cave 61 and the art of the time as formulaic and sterile. A closer look at Cave 61 reveals that this project was in fact motivated by a new understanding and practice of artistic appropriation in tenth-century Dunhuang. |
| 目次 | Architecture and Location 201 Pictorial Program 205 Reproducing the Familiar 210 Inventing the New 213 Repository of Ingenuity 217 Appendix 1 222 Appendix 2 222 Notes 222 |
| ISSN | 00043079 (P); 15596478 (E) |
| 點閱次數 | 181 |
| 建檔日期 | 2023.07.11 |
| 更新日期 | 2023.07.11 |
提示訊息
您即將離開本網站,連結到,此資料庫或電子期刊所提供之全文資源,當遇有網域限制或需付費下載情形時,將可能無法呈現。
