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| Wild Actors and Wrathful Deities: Buddhist Faith, Entertainment, and the Kabuki Theatre of Early Modern Japan | ||
| 作者 | Bond, Kevin (著) |
|---|---|
| 出處題名 | Studies in Religion/Sciences Religieuses |
| 卷期 | v.44 n.1 |
| 出版日期 | 2014.03 |
| 頁次 | 16 - 32 |
| 出版者 | Sage Publications Ltd. |
| 出版者網址 | http://www.uk.sagepub.com |
| 出版地 | London, UK [倫敦, 英國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | Author Affiliation: Department of Religious Studies, University of Regina, Canada |
| 關鍵詞 | Naritasan Shinshōji Temple; Narita Fudō; deity cults; Ichikawa Danjūrō; kabuki; aragoto; Soga plays; Edo Buddhism; Buddhist parody |
| 摘要 | This paper examines the relationship between the celebrated kabuki guild of Ichikawa Danjūrō actors and the popular Narita Fudō deity cult in the capital of Edo in early modern (seventeenth to nineteenth century) Japan. While the actors’ worship of the cult and their personifications of the deity on-stage have been well documented by scholarship, less known is how this patronage resulted in the transformation of the deity’s character and worship among commoner audiences. By tracing the Danjūrō–Narita Fudō connection among popular media of the day, this paper argues that the guild’s artistic incorporation of the deity did not merely represent a religio-commercial collaboration, but the creation of a uniquely contemporary deity specific to Edo’s theatrical culture. |
| 目次 | Abstract Introduction The Danjūrō Miracle Viewing the Narita Fudō A New Iconography Concluding Remarks: A New Deity for Edo Notes Abbreviations Primary Sources Secondary Sources |
| ISSN | 00084298 (P); 20420587 (E) |
| DOI | 10.1177/0008429814548173 |
| 點閱次數 | 161 |
| 建檔日期 | 2023.07.07 |
| 更新日期 | 2023.07.07 |
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