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| 唐代弟子像法服的橫披式上衣——以佛教石窟造像及壁畫為例=The Draped Uttarasanga on Statues of Buddha’s Disciples from the Tang Dynasty——With the Statues and Murals of Buddhist Cave Temples for Reference | ||
| 作者 | 張含悅 (著)=Zhang, Han-yue (au.) |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.2 (總號=n.198) |
| 出版日期 | 2023 |
| 頁次 | 11 - 18 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 張含悅，北京大學 考古文博學院。 |
| 關鍵詞 | 弟子像=statues of Buddha’s disciples; 上衣（鬱多羅僧）=Uttarasanga; 偏衫=pianshan; 炳靈寺石窟=Binglingsi Grottoes; 莫高窟=Mogao Grottoes |
| 摘要 | 傳統的佛衣與僧衣主要由三衣構成，即大衣、上衣、下衣，此外還常著僧祇支（唐稱“掩腋衣”）。伴隨北齊法 上改革，佛像和弟子像都出現了新的法服披覆方式——內著僧祇支、上衣覆搭雙肩、大衣右袒式披覆。這種披覆方式在甘 肅、河南、四川等地的部分弟子像上還發生了一些變化，即出現了橫披式上衣，炳靈寺石窟的唐代窟龕中尤其多見，又可依 據是否覆搭右肩分為兩種。相應地，在橫披式上衣之內又著由掩腋衣和覆肩衣縫合而成的縫合式偏衫，與此基礎上還出現 了交領式偏衫。這種橫披式的上衣和相應偏衫的出現，是三衣中的上衣在漢地僧衣中最後的形式，是天竺傳統的三衣在傳 入中國後經曆本土化過程中的重要一環。 Traditional Buddhist attire mainly consisted of three items, Samghati, Uttarasanga and Antarvasaka. Besides these, a robe that draped slantingly over the left shoulder called a Samkaksika, which later appeared during the Tang dynasty known as yanyeyi 掩腋衣. According to changes made by Master Fashang at the time of the Northern Qi dynasty, new ways of donning Buddhist vestments also came to appear on the statues of the Buddha and his disciples around this time. Notable changes can be seen on statuary depicting Buddha’s disciples in Gansu, Henan and Sichuan, and the additional style of draping Samghati horizontally became especially common in the Tang dynasty caves and niches of the Binglingsi Grottoes, which led to the appearance of a new kind of monk’s robe in China called a pianshan 偏衫 that was sewn together from a Samkaksika and fujianyi 覆肩衣 and worn beneath Uttarasanga. This later evolved into a cross-collared pianshan that became characteristic of later Chinese attire. The emergence of Uttarasanga that were draped horizontally over the left shoulder and the development of pianshan was the final form of Uttarasanga ever to appear in Chinese Buddhist garments, and these changes in style mark an important step in the Sinicization of traditional Indian Buddhist dress in China. |
| 目次 | 一、唐代弟子像的橫披式上衣 12 二、唐代弟子法服的分類：以上衣披覆方式為中心 14 三、結論 17 |
| ISSN | 10004106 (P) |
| DOI | 10.13584/j.cnki.issn1000-4106.2023.02.007 |
| 點閱次數 | 44 |
| 建檔日期 | 2023.06.29 |
| 更新日期 | 2023.06.29 |
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