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| 智山声明の「理趣経」と「五悔」から見る中曲旋法について=The Musical Modes of Middle-Length Pieces as Seen in the Rishukyō (“The Perfection of Wisdom in 150 Lines”) and Gokai (“Fivefold Repentance”) in the Classical Chanting of the Chisan School of Shingon Buddhism | ||
| 作者 | 我妻龍聲 (著) |
|---|---|
| 出處題名 | 智山学報=Journal of Chizan Studies=智山學報 |
| 卷期 | v.69 |
| 出版日期 | 2020 |
| 頁次 | 149 - 202 |
| 出版者 | 智山勧學會 |
| 出版者網址 | https://www.chisankangakukai.com/ |
| 出版地 | 東京, 日本 [Tokyo, Japan] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 日文=Japanese |
| 關鍵詞 | 理趣経勧請; 両界勧請; 中曲旋法 |
| 摘要 | 本考察では特に智山声明の「理趣経」と「五悔」を中心に中曲旋法を考察した。考察の結果、中曲旋法には平調中曲旋法と黄鐘中曲旋法がある。平調中曲旋法は反音旋のみで構成され黄鐘中曲旋法は反音旋と唯呂旋で構成される。平調中曲旋法は平調調の同調間の呂律の交代で構成され黄鐘中曲旋法は黄鐘調の同調間の呂律の交代と一越唯呂旋で構成される。平調中曲旋法は平調反音曲と呼ばれ黄鐘中曲旋法が「黄鐘中曲」と呼ばれていると考える。黄鐘中曲旋法は反音曲でいえば一越反音曲であると考える。以下、中曲旋法について詳しく述べる。 In this discussion, I consider the musical modes of middle-length pieces (chūshoku) as seen in Rishukyō (“The Perfection of Wisdom in 150 Lines”; Skt. Adhyardhaśatikā Prajñāpāramitā) and Gokai (“Fivefold Repentance”) from the repertoire of classical shōmyō chanting of the Chizan school of esoteric Buddhism. The musical modes of middle-length pieces include flat-tone (heichō) and Oshiki-tone modes. The flat-tone middle-length mode is composed solely of contratonal tunings, while the Oshiki-tone middle-length mode (named after one of the 12 tones of the Chinese octave) consists of both contratonal tunings and a simple ryosen tuning from the seven-tone gagaku scale. The flat-tone middle-length mode consists of the alternation of articulation between flat-tone tunings, while the Oshiki-tone middle-length mode consists of the alternation of articulation between Oshiki-tone tunings and a simple Ichikotsu tuning. I believe the flat-tone middle-length mode is called “flat-tone contratonal music” (heichō han’onkyoku) while the Oshiki-tone middle-length mode is called “Oshiki middle-length music” (ōshiki chūkyoku). I believe that the Oshiki-tone middle-length mode, in terms of contratonal music, is Ichikotsu contratonal music. Below, I undertake a detailed discussion of middle-length modes. |
| 目次 | 抄録 149 一、はじめに 149 二、『大典』の「理趣経」 151 三、『聲實抄』の中曲 167 四、『大典』の「五悔」 174 五、平調反音曲 181 六、智山声明の旋法の実際 182 七、まとめ 194 註 197 |
| ISSN | 02865661 (P) |
| DOI | https://doi.org/10.18963/chisangakuho.69.0_149 |
| 點閱次數 | 810 |
| 建檔日期 | 2023.05.12 |
| 更新日期 | 2023.05.17 |
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