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| 敦煌石窟晚唐以降素馨花花鬘圖像考=A Study on the Images of Jasmine Garlands in Dunhuang Caves | ||
| 作者 | 馬莉 (著)=Ma, Li (au.) |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.1 (總號=n.197) |
| 出版日期 | 2023 |
| 頁次 | 46 - 55 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 作者單位：西北師范大學美術學院 |
| 關鍵詞 | 敦煌石窟=Dunhuang caves; 晚唐以降=Late Tang dynasty; 花鬘=garland; 蘇摩那花=sumona flower; 素馨花=jasmine |
| 摘要 | 敦煌石窟壁畫中，晚唐以降的花鬘圖像與之前有著明顯的區別，表現為單排五瓣花側視串聯的樣式，形式簡潔且富有秩序。從佛教典籍所載花鬘者“天竺多用蘇摩那花”入手，通過蘇摩那花的梵文意義、文獻記載，以及植物學的相關內容，考證蘇摩那花即素馨花。之后將敦煌石窟壁畫晚唐以降的花鬘圖像與自然界中的素馨花進行對比，認為圖像花鬘就是素馨花花鬘。最后分析了此類花鬘圖像在五代、宋時期的敦煌石窟壁畫中大量出現的原因。 The flower garlands in the murals of the Dunhuang caves built during and after the Late Tang dynasty exhibit obvious differences with similar items depicted in cave paintings made prior to the Late Tang. The new garlands consist of a single row of five-petalled flowers, viewed from the side, and appear simple and organized. Starting with the sentence, “the garland makers in the western kingdoms often use Sumona flowers” found in Buddhist canonical texts, and by discussing the meaning of “Sumona” in Sanskrit and consulting historical documents and relevant botanical information, research has found that the “Sumona flowers” in Buddhist documents are the flower now known as jasmine. This has further been confirmed by comparing the flowers in the painted garlands with actual jasmine flowers. The research ends with a discussion of why this kind of garlandbegan to appear so frequently in the murals of the Dunhuang caves dating from the Five Dynasties and the Song dynasty. |
| 目次 | 一問題的緣起 二花鬘與佛教經典中的“蘇摩那花” 三蘇摩那花應為素馨花 四敦煌石窟晚唐以降的素馨花花鬘圖像 （一）素馨花花鬘在晚唐以降敦煌石窟中的表現 （二）文獻記載與素馨花圖像大量出現在時間上的吻合 五素馨花花鬘圖像出現并盛行的原因 結語 |
| ISSN | 10004106 (P) |
| DOI | 10.13584/j.cnki.issn1000-4106.2023.01.015 |
| 點閱次數 | 32 |
| 建檔日期 | 2023.04.17 |
| 更新日期 | 2023.04.17 |
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