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| 東西方交流視野下的獅牛搏斗藝術圖像研究=Research on Images of a Battling Lion and Bull from the Perspective of Cultural Exchange on the Silk Road | ||
| 作者 | 陳文彬 (著)=Chen, Wen-bin (au.) |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.1 (總號=n.197) |
| 出版日期 | 2023 |
| 頁次 | 27 - 35 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 作者單位：西北大學文化遺產學院 |
| 關鍵詞 | 獅牛搏斗=battling lion and bull; 勞度叉斗圣變=Raudraksa's contest with Sariputra; 象征含義=symbolic implication; 文化交流=cultural exchange |
| 摘要 | 從敦煌莫高窟勞度叉斗圣變中的獅牛搏斗圖像入手，梳理其在古代中國的發展，認為其沿著絲綢之路傳入中國。該圖像母題廣泛流行于古代歐亞大陸，其產生于動物生態中的獅子捕食場景。從絲綢之路向外延伸，梳理了獅牛搏斗圖像的發展脈絡，并試圖解釋其象征含義。 This paper presents an artistic historical research on images of a battling lion and bull, which can be seen in illustrations of Raudraksa’s contest with Sariputra in Dunhuang murals. After combing through the history of related images in ancient China, it can be concluded that the theme was introduced into China by the cultural thoroughfare along the Silk Road. The underlying theme of this image originated from scenes of lions hunting in natural habitats and was widely popular in ancient Eurasia. Extending outward from the Silk Road, this paper traces the development of battling lion and bull images and proposes several ideas as to the symbolic meaning of this motif. |
| 目次 | 一敦煌石窟壁畫中的獅牛搏斗圖像 二域外古代獅牛搏斗圖像的發展 三獅牛搏斗圖像的象征含義 四總結 |
| ISSN | 10004106 (P) |
| DOI | 10.13584/j.cnki.issn1000-4106.2023.01.012 |
| 點閱次數 | 37 |
| 建檔日期 | 2023.04.17 |
| 更新日期 | 2023.04.17 |
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