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| 帝后禮佛圖：大唐石刻線畫與敦煌紙墨畫稿=Scenes of the Emperor and Queen Worshipping the Buddha: Great Tang Line Drawings of Stone Inscriptions and the Ink Paintings of Dunhuang | ||
| 作者 | 葛承雍 (著)=Ge, Cheng-yong (au.) |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.1 (總號=n.197) |
| 出版日期 | 2023 |
| 頁次 | 1 - 13 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 作者單位：陜西師范大學人文科學高等研究院 |
| 關鍵詞 | 唐代=Tang dynasty; 帝后供養線刻圖=ling drawing of the Emperor and Queen presenting offerings to the Buddha; 敦煌=Dunhuang; 帝后禮佛粉本圖=draft painting of the Emperor and Queen worshipping the Buddha |
| 摘要 | 利用近年新見《大唐皇帝皇后供養圖》線刻畫與敦煌莫高窟《帝后供養禮佛圖》粉本草圖，進行對比研究，結合在敦煌壁畫中多次出現的帝王形象，揭示了皇權統治者的形象對宗教藝術表現的深刻影響，指出經幢石刻線圖與墨線紙本草圖，雖然均沒有真正轉換生成大型石窟壁畫新圖像，但是不僅可見中古時期佛教藝術創作中的帝王政治庇護因素，也可見唐代皇帝、皇后形象作為“夫妻家庭與政治藝術”的圖像流傳，在宗教文化諸領域中不僅成為教化民間信徒的理想粉本，也成為國泰民安與積攢功德的祈求心愿。 This paper presents a comparative study of two items newly discovered at the Mogao Grottoes in Dunhuang：a line drawing taken from a stone inscription entitled “The Emperor and Queen of the Great Tang Presenting Offerings to the Buddha,” and draft paintings of a scene depicting “The Emperor and Queen Worshiping the Buddha.” By comparing these items with the images of emperors in Dunhuang murals, this paper reveals the profound influence that images of imperial rulers had on Buddhist artistic expression. Although neither the line drawing nor the draft paintings were ever used as the basis for a large-scale cave temple painting, they do indicate that artists incorporated political themes in their creation of Buddhist artwork, particularly the idea of imperial political figures finding asylum in religious observance. This further indicates that the iconographical spread of “husband-wife, family and political art” in Tang dynasty China was not only ideal for the enlightenment of lay practitioners, but also expressed the wish of the people for a prosperous mother country, peaceful life, and deities that would answer their prayers. |
| 目次 | 一青齊間新出佛座石刻呈現的皇帝、皇后拜佛形象 二敦煌晚唐五代畫稿上皇帝、皇后拜佛的形象 三帝后禮佛圖的圖像表征與粉本意涵 四帝后禮佛圖的真實性與虛構性 |
| ISSN | 10004106 (P) |
| DOI | 10.13584/j.cnki.issn1000-4106.2023.01.005 |
| 點閱次數 | 166 |
| 建檔日期 | 2023.04.17 |
| 更新日期 | 2023.04.17 |
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