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| 從印度到敦煌：祇園布施與舍衛城斗法故事的圖文轉變試析=From India to Dunhuang: Visual and Textual Evolution of the Two Stories, Donation of Jetavana and Great Miracle in Sravasti | ||
| 作者 | 魏健鵬 (著)=Wei Jianpeng (au.) |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.5 (總號=n.195) |
| 出版日期 | 2022 |
| 頁次 | 47 - 57 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 作者單位：陜西師范大學歷史文化學院 |
| 關鍵詞 | 祇園布施=Donation of Jetavana; 舍衛城大神變=Great Miracle in Sravasti; 勞度叉斗圣變= illustration of the contest between Sariputra and Raudraksa; 圣地崇拜=worship of holy land |
| 摘要 | 早期祇園布施的故事關注精舍的建立過程，舍衛城斗法則聚焦于釋迦的神變崇拜，二者在文本和圖像中皆未共處同一敘事單元。《賢愚經》可能出于升華釋迦歷史性形象的需要，借鑒舍衛城大神變的敘述框架，創作出勞度叉斗圣的故事，使布施和斗法的故事在敘述祇園精舍建立緣由的圖文中共存。唐代前后，文本中舍衛城大神變的結局新增藥叉放猛風吹外道的情節，勞度叉斗圣故事可能受此影響也將斗法結局調整為風神放風吹向整個外道陣營，并影響到圖像的繪制。在文本構建的圣地崇拜語境下，敦煌石窟的勞度叉斗圣變可能意在通過和佛壇尊像的結合，以繪塑結合的方式表現釋迦在祇園說法的場景。 The early story of the Donation of Jetavana focused on the procession of the construction of the monastery, while that of the Great Miracle in Sravasti centered on the worship of Shakyamuni’s miracle, and the two never appeared together neither in text nor in pictures. For the purpose of sublimating the historical image of Shakyamuni, the Sutra of the Wise and the Foolish （Damamūka-nidāna-sūtra） referred to the narrative framework of the Great Miracle in Sravasti, and created the story of the Contest between Sariputra and Raudraksa, which made the two stories, the Donation of Jetavana and the Great Miracle in Sravasti, appeared together in narrative of the construction of the monastery. Around the Tang dynasty, the text of Great Miracle in Sravasti ended with a new episode of Yaksha violently blowing wind on the heretics, and this might have influenced the text of the Contest between Sariputra and Raudraksa and then influence its illustration, which also ended with the episode of a wind god blowing strong wind on the heretics. In the holy land worship context constructed by the text, the illustration of the Contest between Sariputra and Raudraksa in Dunhuang might have been intended to combine with Buddhist statues to show the scene of Shakyamuni’s preaching in Jetavana. |
| 目次 | 一《賢愚經》結集以前獨立敘述的祇園布施與舍衛城斗法 （一）祇園布施文本 （二）舍衛城斗法文本 二早期圖像材料中平行發展的祇園布施與舍衛城斗法 （一）祇園布施造像 （二）舍衛城斗法造像 三舍衛城大神變文本的影響與勞度叉斗圣故事敘述的轉變 （一）《法句譬喻經》等經典影響下勞度叉斗圣敘事的第一次轉變 （二）《根本說一切有部毗奈耶雜事》等經典影響下勞度叉斗圣敘事的第二次轉變 四圣地崇拜語境下的祇園精舍圖文敘事 （一）敘述祇園精舍建立相關文本之性質 （二）勞度叉斗圣變圖像功能的再探討 五結語 |
| ISSN | 10004106 (P) |
| DOI | 10.13584/j.cnki.issn1000-4106.2022.05.017 |
| 點閱次數 | 177 |
| 建檔日期 | 2023.04.17 |
| 更新日期 | 2023.04.17 |
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