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| 從漢畫像石到敦煌壁畫 - 一種頌揚圖像在中國與中亞的流傳=From the Han Dynasty Relief Stone Scultpure to Dunhuang Wall Paintings - The Spread of An Eulogistic Image in China and Central Asia | ||
| 作者 | 康馬泰 (著)=Kang, Ma-tai (au.) ; 李思飛 (著)=Li, Si-fei (au.) |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.5 (總號=n.195) |
| 出版日期 | 2022 |
| 頁次 | 21 - 31 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 康馬泰:威尼斯大學 李思飛:陜西師范大學 |
| 關鍵詞 | 莫高窟第156窟=Mogao cave 156; 張議潮=Zhang Yichao; 粟特藝術=Sogdiana art; 阿夫拉西阿卜壁畫=Afrashiab wall paintings; 漢畫像石=Han dynasty relief stone sculpture |
| 摘要 | 本文提出了敦煌莫高窟晚唐第156窟張議潮出行圖與漢代墓葬畫像石之間可能存在的相似之處,這種相似性是經由7世紀中期粟特阿夫拉西阿卜壁畫上的一些共同元素觀察到的。盡管這些以狩獵和過橋場景為代表的共同元素只出現在晚唐時期的敦煌,但其圖像源流可以上溯到中國漢代的墓葬藝術。阿夫拉西阿卜壁畫的中國場景中,粟特藝術家可能也復制了一些中國元素,并根據他們自己的審美趣味進行了改動。本文通過對帝王狩獵和過橋場景的分析,論述敦煌壁畫張議潮統軍出行圖和中亞壁畫在突顯王權或頌揚權貴涵義上的密切聯系。 This paper points out the similarities between the outing scenes of Zhang Yichao depicted in Mogao cave 156 of the Late Tang dynasty and those of Han dynasty relief stone sculpture, which can be observed in the common elements from the seventh-century wall paintings of Afrashiab in Sogdiana. Though the common elements represented by the scenes of hunting and passing over a bridge only appeared in Dunhuang during the Late Tang dynasty, their iconographical sources can be traced back to Han dynasty tomb art in China. In the Chinese section in the wall paintings of Afrashiab, the Sogdian artists might have copied some Chinese elements and transformed them according to their own aesthetic taste. By analyzing the scenes of an Emperor hunting and passing over a bridge, this paper discusses the close connection between the outing scene of Zhang Yichao from Dunhuang wall paintings and Central Asian wall paintings in terms of highlighting the royalty and eulogizing the privileged ones. |
| ISSN | 10004106 (P) |
| DOI | 10.13584/j.cnki.issn1000-4106.2022.05.002 |
| 點閱次數 | 133 |
| 建檔日期 | 2023.04.17 |
| 更新日期 | 2023.04.17 |
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