 |
|
| 四川簡陽長嶺山摩崖造像調查簡報=A Brief Report on the Changlingshan Cliff Carvings in Jianyang, Sichuan Province | ||
| 作者 | 四川大學考古文博學院 (著) ; 簡陽市文物管理所 (著) |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.2 (總號=n.192) |
| 出版日期 | 2022 |
| 頁次 | 54 - 66 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 長嶺山=Changlingshan; 摩崖造像=cliff carving; 唐代=Tang dynasty; 僧伽變相=Sangha illustration |
| 摘要 | 長嶺山摩崖造像位于四川省簡陽市安樂鄉天才村，現存造像18龕，題材主要有觀經變、僧伽變、千手觀音、千佛、天尊說法、釋迦說法、佛道合龕等。據龕窟形制、題記及造像題材、風格等判斷，長嶺山摩崖造像始鑿于盛唐，中唐最盛，延續至晚唐五代，受川西仁壽等地影響較大。 The Changlingshan cliff carvings are located in Tiancai Village, Anle Township in Jianyang, Sichuan Province. There are eighteen carved niches extant in the cliffs today that contain artwork depicting themes such as the AmitayurdhanaSutra, the Sangha, thousand-armed Avalokitesvaras, the thousand Buddhas, Buddha’s preaching scenes, Sakyamuni’s preaching scene, and images combining Buddhist and Taoist figures.According to the inscriptions, image themes and artistic styles found in the caves, it can be readily determined that construction of the Changlingshan cliff carvings began in the High Tang period, reached its peak in the Middle Tang, and continued through the late Tang and Five Dynasties periods. Furthermore, these niches were greatly influenced by cliff carvings at Renshou and other Buddhist sites in western Sichuan. |
| 目次 | 一造像概況 二代表性造像 1. 第12龕 2. 第14龕 3. 第16龕 4. 第18龕 三年代、題材及價值 1. 年代 2. 題材及價值 |
| ISSN | 10004106 (P) |
| DOI | 10.13584/j.cnki.issn1000-4106.2022.02.014 |
| 點閱次數 | 67 |
| 建檔日期 | 2023.04.06 |
| 更新日期 | 2023.04.06 |
建議您使用 Chrome, Firefox, Safari(Mac) 瀏覽器能獲得較好的檢索效果，IE不支援本檢索系統。
