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| 瀟湘八景：東亞共同母題的文化意象=Eight Views of Xiao-Xiang: The Culture Image of East Asia | ||
| 作者 | 衣若芬 (著)=I, Lo-fen (au.) |
|---|---|
| 出處題名 | 東亞觀念史集刊=Journal of The History of Ideas in East Asia |
| 卷期 | n.06 |
| 出版日期 | 2014.06.01 |
| 頁次 | 35,37 - 55 |
| 出版者 | 國立政治大學東亞觀念史集刊編輯部 |
| 出版者網址 | http://nccupress.nccu.edu.tw/ |
| 出版地 | 臺北市, 臺灣 [Taipei shih, Taiwan] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 衣若芬，新加坡南洋理工大學中文系副教授。 |
| 關鍵詞 | 瀟湘八景=Eight Views of Xiao-Xiang; 文化意象=Culture Image; 東亞=East Asia; 母題=Motif; 審美意識=Aesthetic consciousness |
| 摘要 | 狹義的「瀟湘」，指流經中國湖南的瀟水和湘江。廣義的「瀟湘」，可泛稱整個中國湖南。從莊子和屈原開始，書寫「瀟湘」的作品凝聚了豐富的瀟湘文化底蘊。大約從唐代起，有瀟湘山水畫創作。北宋文人畫家宋迪以瀟湘的八個景致為題材，繪製〈瀟湘八景圖〉，成為東亞「瀟湘八景」詩畫的濫觴。十二世紀出使宋朝的高麗畫家在朝廷畫院學習了「瀟湘八景」詩畫。十三世紀東渡日本的僧人傳入「瀟湘八景」詩畫。古代越南使臣出使中國的陸路途徑則會經過湖南境內。「瀟湘八景」是東亞諸國共同的詩畫抒情母題，通過「瀟湘八景」的文化意象，可以探析東亞的審美意趣。本文概述「瀟湘八景」的源起，以及在中國、韓國、日本、越南的歷史發展情形，歸納出中國的「離憂愁緒」、韓國的「嚮往樂土」、日本的「幽玄禪思」、越南的「異域懷歸」，各具特色的藝術表現。 ＂Xiao-Xiang＂ refers to the Xiao River and Xiang River that flows through Hunan area. Since Zhuangzi and Qu Yuan, literary creations on Xiao-Xiang have developed into a cultural image, and landscape paintings on Xiao-Xiang have also developed from Tang dynasty. Northern Song dynasty painter Song Di illustrated ＂Eight Views of Xiao-Xiang＂, which initiated the poetry and painting creations on Xiao-Xiang in East Asia. 12^(th) century, Goryeo ambassador painters have learned poetry and painting creations on Xiao-Xiang in the Song court. 13th century, monks travelled to Japan also brought in poetry and painting works on Xiao- Xiang. The over land route of Ancient Vietnamese envoys also went through Hunan province. ＂Eight views of Xiao-Xiang＂ is a shared poetry and lyrical motif among East Asian countries. Hence, studying the cultural image of Xiao-Xiang will allow analysis of aesthetic consciousness of East Asian countries. This paper summarizes the origins of ＂Eight View of Xiao-Xiang＂, as well as their historical development in China, Korea, Japan and Vietnam, each with their distinguishing characteristics. |
| 目次 | 摘要 35 Abstract 37 一、「瀟湘八景」源起 39 二、東亞「瀟湘八景」詩畫之歷史發展概述 42 三、東亞「瀟湘八景」詩畫抒情表現之比較47 (一)中國「瀟湘八景」的抒情表現：離憂愁緒 47 (二)韓國「瀟湘八景」的抒情表現：嚮往樂土 48 (三)日本「瀟湘八景」的抒情表現：幽玄禪思 49 (四)越南「瀟湘八景」的抒情表現：異域懷歸 50 四、結語 51 徵引書目 53 |
| ISSN | 23039205 (P) |
| DOI | 10.29425/JHIEA.201406_(6).0012 |
| 點閱次數 | 89 |
| 建檔日期 | 2022.11.11 |
| 更新日期 | 2022.11.11 |
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