網站導覽關於本館諮詢委員會聯絡我們書目提供版權聲明引用本站捐款贊助回首頁
書目佛學著者站內
檢索系統全文專區數位佛典語言教學相關連結
 


加值服務
書目管理
書目匯出
元代佛典《佛說目連救母經》向《目連寶卷》與閩北目連戲的文學性演變=The Transformation of the Mulian Story from a Yuan-Dynasty Buddhist Text, "Sutra of Buddha's Sermon on Mahāmaudgalyāyana's Rescue of His Mother", to Two Literary Texts, "The Mulian Precious Scroll" and "The Putian Mulian Drama"
作者 田仲一成 (著)=Tanaka, Issei (au.)
出處題名 人文中國學報=Sino-Humanitas
卷期n.19
出版日期2013.10.01
頁次57 - 120
出版者香港浸會大學
出版者網址 http://buwww.hkbu.edu.hk/tch/main/index.jsp
出版地九龍, 香港, 中國 [Kowloon, Hong Kong, China]
資料類型期刊論文=Journal Article
使用語言中文=Chinese
關鍵詞《佛説目連救母經》="Sutra of Buddha's Sermon on Mahāmaudgalyāyana's Rescue of His Mother"; 《黃籙九幽醮無碍夜齋次第儀》="Yellow Register Recording Sequence of Rituals for all of the Orphan Souls Sinking in the Nine Hells"; 鄭振鐸; 《目連救母寶卷》="Precious Scrolls on Mulian Saving His Mother"; 《香山寶卷》="Xiangshan Precious Scrolls"; 莆田目連戲=Putian Drama on the Mulian Story
摘要元代佛典《佛説目連救母經》(下面略稱爲《目連救母經》)1304年前在浙江寧波出版,之後1346年在日本復刻。中國的原本早就失傳,日本的復刻本却藏在京都金光寺。作者據金光寺所藏本分析,獲得如下的結論:1.復刻本的文章跟鄭振鐸在《中國俗文學史》中所引《目連救母出離地獄升天寶卷》(下面簡稱爲《目連寶卷》)相同的部分不少。2.《目連救母經》之中,目連的母親劉氏名字稱爲四真。《目連寶卷》也一樣。閩北莆田目連戲之中,劉氏名字爲四真,可見其繼承於《目連救母經》。閩南目連戲之中,劉氏名字爲世真,大致受閩北劇本的影響。其他地區的目連戲劇本之中,看不見四真這個系統的名字。可見閩北目連戲文本是在元代《目連救母經》(可能經過《目連寶卷》)的影響之下成立的。3.莆田目連戲末尾演出妙善公主(觀音)的故事,是繼承《香山寶卷》的。4.據這些事實綜合起來説,莆田目連戲是直接繼承元代《目連救母經》而成立的,而且很可能是受到喜歡寶卷的閩北女子的影響而在元末明初成立的。至少可以推斷,它是明代後期(1582年)成書的鄭之珍本以前的早期目連戲民間劇本。

The ”Foshuo Mulian jiumu jing” (”Sutra of Buddha's Sermon on Mahāmaudgalyāyana's Rescue of His Mother”)was first published in 1304 in Ningbo, Zhejiang Province, but later became lost in China. It was reprinted and published in Japan in 1346, and this edition is now preserved in Kōkōji Buddhist Monastery in Kyoto. The present article is a study of this edition and draws the following conclusions:1. The Ming-dynasty ”Mulian jiumu baojuan” (”Precious Scroll of How Mulian Saved His Mother”) cited in Zheng Zhenduo's (1898-1958) ”History of Chinese Vernacular Literature contains several parts which are identical with the Foshuo Mulian jiumu jing”.2. In both the ”Putian Mulian Play” and ”Precious Scroll”, the name of Mulian's mother is given as Liu Sizhen. This name originates in the ”Foshuo Mulian jiumu jing”. In the Mulian plays circulated in southern Fukien, the mother's name is Shizhen. This might have been inherited from northern Fukien plays, in which the name was adopted from the ”Mulian jiumu jing”. This name is not found in plays from other regions. It is thus observed that the northern Fukien plays were established under the influence of the ”Mulian jiumu jing”, albeit via the ”Precious Scroll”.3. The end of the ”Putian Mulian Play” contains the story of Princess Miaoshan, a variant name of Bodhisattva Guanyin. This was derived from the ”Xiangshan Precious Scroll”.4. The three points above allow the conclusion that the ”Putian Mulian Play” was derived from the ”Mulian jiumu jing”. It appeared around late Yuan and early Ming times, most likely because Northern Fukien women were fond of precious scroll literature. It may at least be inferred that the ”Putian Mulian Play” is the oldest extant Mulian drama text, which took shape before the Zheng Zhizhen (1518-1595)1582 version.
目次一、《佛説目連救母經》的故事以及其儀式結構 58
(一)儀式結構:六道輪迴 74
(二)儀式結構:地獄由九個地獄組成 77
(三)儀式結構:接近水陸道場儀式 80
(四)故事結構:文學性、戲劇性 81
二、 從《目連救母經》演變而成的《目連寶卷》 83
(一)情節的繼承 84
(二)文字的繼承 84
三、 閩北地區的普度儀式與目連戲 100
四、 《目連寶卷》演變爲閩北目連戲 104
(一)劉氏的輩行 110
(二)曹氏的位置 111
(三)地獄的結構 112
(四)超度孤魂的儀式 112
(五)寶卷文學的影響 112
五、結論:宗教史和文學史的關係 113

ISSN15622754 (P); 15622754 (E)
點閱次數377
建檔日期2022.11.03
更新日期2022.11.03










建議您使用 Chrome, Firefox, Safari(Mac) 瀏覽器能獲得較好的檢索效果,IE不支援本檢索系統。

提示訊息

您即將離開本網站,連結到,此資料庫或電子期刊所提供之全文資源,當遇有網域限制或需付費下載情形時,將可能無法呈現。

修正書目錯誤

請直接於下方表格內刪改修正,填寫完正確資訊後,點擊下方送出鍵即可。
(您的指正將交管理者處理並儘快更正)

序號
654342

查詢歷史
檢索欄位代碼說明
檢索策略瀏覽