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| The Medieval Chinese Gāthā and Its Relationship to Poetry | ||
| 作者 | Mazanec, Thomas J. (著) |
|---|---|
| 出處題名 | T'oung Pao=通報 |
| 卷期 | v.103 n.1-3 |
| 出版日期 | 2017 |
| 頁次 | 94 - 154 |
| 出版者 | Brill |
| 出版者網址 | http://www.brill.com/ |
| 出版地 | Leiden, the Netherlands [萊登, 荷蘭] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 關鍵詞 | Late Tang; poetry; verse |
| 摘要 | This paper investigates the shifting definitions of the term gāthā (Ch. ji) over an 800-year period, from the earliest sūtra translations into Chinese until the mid-tenth century. Although the term originally referred to the verse sections of scriptures, gāthās soon began to circulate separately, used in ritual, contemplative, and pedagogical practices. By the late sixth century, it began to mean something like “Buddhist verse.” Over the course of the Tang, gāthās came to take on the formal features of poetry, eventually becoming all but indistinguishable from elite verse. However, the word gāthā was always seen as something inferior to real poetry, and, by the late Tang, we find poet-monks belittling other monks’ didactic verses so as to distinguish their own work and avoid the taint of the word gāthā. |
| ISSN | 00825433 (P); 15685322 (E) |
| DOI | https://doi.org/10.1163/15685322-10313P03 |
| 點閱次數 | 116 |
| 建檔日期 | 2022.10.14 |
| 更新日期 | 2023.07.21 |
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