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| 近世前期における来迎表現の工芸的展開：源信来迎説話と扇面を中心に=Images of Amida Coming to Meet the Dying Expressed in Handicrafts in the Early Modern Era: Stories of Genshin and the Japanese Fan | ||
| 作者 | 神居文彰 (著)=Kamii, Monsho (au.) |
|---|---|
| 出處題名 | 印度學佛教學研究 =Journal of Indian and Buddhist Studies=Indogaku Bukkyōgaku Kenkyū |
| 卷期 | v.68 n.2 (總號=n.150) |
| 出版日期 | 2020.03.20 |
| 頁次 | 719 - 723 |
| 出版者 | 日本印度学仏教学会 |
| 出版者網址 | http://www.jaibs.jp/ |
| 出版地 | 東京, 日本 [Tokyo, Japan] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 日文=Japanese |
| 關鍵詞 | 来迎図; 絵師; 木村派; 工芸; 扇面; 源信; 平等院; 浄家寺鑑 |
| 摘要 | Buddhism Painting can easily be considered from the angle of handicrafts and the aspirations of the common people in early modern Buddhism. There are many connections between images of Amida coming to meet the dying and Genshin 源信. Thanks to the efforts of artists and related stories, as well as wood-block prints, images of Amida coming to meet the dying portrayed on silk fans were widely distributed. Such images were valued by people as relics. |
| 目次 | はじめに 719 一 新出 扇面阿弥陀二十五菩薩来迎図 719 二 扇面来迎図の展開と源信伝説 720 三 その他の来迎図と頒布、工芸の関係 721 小結 722 |
| ISSN | 00194344 (P); 18840051 (E) |
| DOI | https://doi.org/10.4259/ibk.68.2_719 |
| 點閱次數 | 129 |
| 建檔日期 | 2022.09.27 |
| 更新日期 | 2022.09.27 |
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