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| ツォンカパ絵伝に描かれたポラネーについて=On Pho lha nas Painted on Tsong kha pa’s Pictorial Biography | ||
| 作者 | 李先才譲 (著)=Lixian, Cairang (au.) |
|---|---|
| 出處題名 | 印度學佛教學研究 =Journal of Indian and Buddhist Studies=Indogaku Bukkyōgaku Kenkyū |
| 卷期 | v.68 n.1 (總號=n.149) |
| 出版日期 | 2019.12.20 |
| 頁次 | 325 - 322 |
| 出版者 | 日本印度学仏教学会 |
| 出版者網址 | http://www.jaibs.jp/ |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 日文=Japanese |
| 關鍵詞 | ポラネー; ツォンカパ絵伝; 釈尊絵伝; 十六羅漢図; 木版画 |
| 摘要 | In “Tsong kha pa’s 15 Thangkas Pictorial Biography (Tsong kha pa rnam thar ras bris),” published in the 18th century, there is a single scene that is not supposed to be directly related to Tsong kha pa’s own achievements. The purpose of this investigation is to justify the relationship between Tsong kha pa’s pictorial biography and the contents of the paintings, which are considered to be a scene (the so-called Pho lha nas scene) related to Pho lha nas bSod nams stobs rgyas (1689–1747). As a result of collating references and iconographic materials, I am able to show that the “Pho lha nas scene” is irrelvant to Tsong kha pa’s own achievements, but is rather only an extra section. Furthermore, it is also clarified that it is a scene created when publishing the woodcuts of the Kanjur and Tanjur, based on Pho lha nas instructions. It is obvious that the extra scene in “Tsong kha pa’s Pictorial Biography” was dedicated to the remarkable achievements (bsNgo rten) of Pho lha nas. |
| 目次 | 0．はじめに 325 1．問題の所在 325 2．「ポラネー場面」に関する文献との検討 324 3．「ポラネー場面」の絵像解析 324 4．ポラネーが描かれた他の作例との検討 323 5．結論 322 |
| ISSN | 00194344 (P) |
| DOI | https://doi.org/10.4259/ibk.68.1_325 |
| 點閱次數 | 52 |
| 建檔日期 | 2022.09.23 |
| 更新日期 | 2022.09.23 |
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