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| 曾緘〈布達拉宮辭〉創作始末及其對倉央嘉措之人物形塑=On Zeng Jian's Creation of ＂Bu Da La Gong Ci＂ and his Fashioning of Tsangyang Gyatso's Literary Image | ||
| 作者 | 陳煒舜 (著)=Chan, Nicholas L. (au.) |
|---|---|
| 出處題名 | 政大中文學報=Bulletin of the Department of Chinese Literature National Chengchi University |
| 卷期 | n.37 |
| 出版日期 | 2022.06.01 |
| 頁次 | 135 - 164 |
| 出版者 | 國立政治大學中國文學系 |
| 出版者網址 | http://www.chinese.nccu.edu.tw/main.php |
| 出版地 | 臺北市, 臺灣 [Taipei shih, Taiwan] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 作者舜現職為香港中文大學中國語言及文學系副教授。 |
| 關鍵詞 | 倉央嘉措=Tsangyang Gyatso; 曾緘=Zeng Jian; 〈布達拉宮辭〉=＂Bu Da La Gong Ci＂; 人物形塑=fashioning of literary image; 民國舊體詩=classical Chinese poetry in Republican China (1911-1949) |
| 摘要 | 自于道泉（1901-1992）於1930年發表英漢雙譯〈第六代達賴喇嘛倉央嘉措情歌〉後，倉央嘉措（1683-1706?）其人其詩漸在漢地膾炙人口。1939年2月，供職西康蒙藏委員會的曾緘（1892-1968）以于譯為本，用七絕體悉數改譯，譯畢又以七古體撰成長達174句的〈布達拉宮辭〉，與譯詩一併發表於《康導月刊》第1卷第8期。時至今日，〈布達拉宮辭〉受歡迎的程度視乎曾緘譯詩似有不及。卻畢竟是漢地最早為倉央嘉措塑造文學形象的作品之一。透過譯詩工作的文化累積，曾緘創作〈布達拉宮辭〉時，對倉央嘉措的認知與詮釋自有一定深度。職是之故，本文嘗試探討〈布達拉宮辭〉的創作始末，即曾氏對倉央嘉措的人物形塑，以見這位僧王其人其詩在漢地所接受的情況。 Tsangyang Gyatso, also known as the Sixth Dalai Lama (1683-1706?), had a double identity of a spiritual leader and a love song writer in Tibet. Translated into Chinese and English by Yu Daoquan (1901-1992) for the first time in 1930, his love songs have ever since become more and more popular among the Han Chinese. In February 1939, Zeng Jian (1892-1968) published his retranslated version based on Yu's edition, together with ＂Bu Da La Gong Ci,＂ a classical-style long poem lamenting over the story of Tsangyang. Today, though ＂Bu Da La Gong Ci＂ seems to be less popular than Zeng's retranslated version of love songs, the former is one of the earliest works in Chinese to fashion the literary image of Tsangyang after all. Through the cultural accumulation of poetry translation, Zeng Jian had a certain depth of understanding and interpretation of Tsangyang when he created ＂Bu Da La Gong Ci.＂ Accordingly, this article explores the creation of ＂Bu Da La Gong Ci＂ and its fashioning of Tsangyang Gyatso's literary image, in order to shed some light on the reception history of this legendary Tibetan monk and his love songs in the Sinophone world. |
| 目次 | 一、引言 137 二、〈布達拉宮辭〉的撰寫與修訂概況 141 三、〈布達拉宮辭〉與詩序、略傳及譯詩的互文情況 144 四、〈布達拉宮辭〉對倉央嘉措之人物形塑 149 （一）外觀與內心的描繪 151 （二）寫作手法的運用 155 五、結語 159 |
| ISSN | 16844246 (P) |
| DOI | 10.30407/BDCL.202206_(37).0004 |
| 點閱次數 | 166 |
| 建檔日期 | 2022.08.11 |
| 更新日期 | 2022.08.11 |
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