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| Greco-Roman Elements In The Narratives | ||
| 作者 | Kumar, Vinay (著) |
|---|---|
| 出處題名 | Sri Lanka International Journal of Buddhist Studies (SIJBS) |
| 卷期 | v.7 |
| 出版日期 | 2021 |
| 頁次 | 38 - 54 |
| 出版者 | SIBA – DCI Research Centre |
| 出版地 | Sri Lanka [斯里蘭卡] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 關鍵詞 | Narrative; Gandhara; Greco-Roman; Greek |
| 摘要 | Narrative is a universal phenomenon and every nation has its corpus of narrative that includes popular tales and fables, epics and romances, sacred myths and legends. These narratives may be either oral or visual narration where stories are communicated to an audience in direct terms through two and three dimensional paintings and sculptures. A narrative has two aspects- a story or content that generally consists of a sequence of events and the form or expression which is the means by which the story is communicated and its action presented. In Gandhāra art we find a vast number of narrative panels which were produced to decorate the numerous stūpas of the monasteries which have been analyzed and dated according to the stylistic affinities with Greek, Roman or Greco- Iranian images. Many scholars have supported their views relating to narrative sculptures explaining them mainly in terms of Roman influence. The Gandhāran treatment of the Buddha story as a linear and chronological sequence of incidents derives from the Greco-Roman concept of time as a linear progression of differentiated moments. The Gandhāran sense of divisive time is reflected in the treatment of continuous narrative. The use of space between the figures and the dominance of architectural elements and divider motifs within the compositions break the flow of continuous narrations in Gandhāra in contrast to the Indian treatments. In Gandhāra art, the method of representing the story of Buddha legend in a series of separate episodes was based on the Roman method of portraying the career of Caesar by a number of distinct climactic events in separate panels. |
| 目次 | Introduction 38 Concept of Time 40 Distribution of Space 41 Narrative Context and Spatial Depth 43 Depiction of Human Form 45 Conclusion 46 |
| ISSN | 27736814 (P); 20128878 (E) |
| 點閱次數 | 66 |
| 建檔日期 | 2022.04.01 |
| 更新日期 | 2022.04.06 |
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