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| 桂林唐代摩崖觀音像初步研究=A Study on the Guanyin Statues of the Tang Dynasty in Guilin | ||
| 作者 | 劉勇 (著)=Liu, Yong (au.) ; 胡小玉 (著)=Hu, Xiao-yu (au.) |
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| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.4 (總號=n.188) |
| 出版日期 | 2021 |
| 頁次 | 72 - 83 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 作者單位:劉勇：桂林理工大學藝術學院；胡小玉：漢景帝陽陵博物院 |
| 關鍵詞 | 桂林=Guilin; 唐代=Tang dynasty; 觀音像=Guanyin statues; 長安=Chang]an |
| 摘要 | 桂林摩崖造像中有3鋪單尊觀音立像,其雙足外撇、足跟相對的表現手法相當特別。通過與同時期國內其他石窟寺造像的比較研究,發現這種表現形式可能與波羅王朝時期東印度的造像藝術有關,帶有一定的密教色彩。唐朝中后期在藏東、川西和青海玉樹等地的摩崖造像上有所表現,之后隨著吐蕃勢力的壯大流傳到河西地區,最后通過吐蕃與大唐間的佛教文化交流到達長安。造像主宋伯康來自于長安顯赫的宦官世家,觀音像的粉本極有可能是由他自長安帶到桂州。從這些觀音像可以窺見唐末桂州的佛教信仰以凈土宗和禪宗為主。 There are 3 separate reliefs engraved on the cliffs at Guilin depicting Guanyin(Avalokitesvara) that are characterized by outward pointing toes and connected heels. A comparative study of the three statues and other contemporary works depicting Guanyin found in other cave temples in China suggests that this style of sculpting feet is likely related to the sculpture of the Pala Empire in eastern India, the form of which often resembled esoteric Buddhist images. In the middle and late Tang dynasty, this art style can be found in cliff engravings throughout the region and examples have been found in east Tibet, west Sichuan, and Yushu, Qinghai province. After the spread of Tibetan artistic influences, the style later spread to the Hexi Regions and eventually reached Chang’an after a series of Buddhist cultural exchanges between the Tibetans and the central government of the Tang dynasty. Song Bokang, the patron that sponsored the construction of the reliefs, came from the family of a eunuch,which may indicate that the draft of this image of Guanyin was brought by him from Chang’an to Guizhou. Furthermore, it can be seen from these images that the Pure Land Sect and Chan Sect dominated the Buddhist beliefs in Guizhou at the end of Tang dynasty. |
| 目次 | 一 桂林3鋪觀音像概況 73 (一)伏波山第 13 龕 73 (二)伏波山第 14 龕 73 (三)虞山第 1 龕 75 二 桂林觀音像雙足外撇表現手法考察 76 三 桂林觀音像功德主考察 78 四 造像所反映的宗教思想考察 81 五 結語 82 |
| ISSN | 10004106 (P) |
| DOI | 10.13584/j.cnki.issn1000-4106.2021.04.009 |
| 點閱次數 | 85 |
| 建檔日期 | 2022.02.18 |
| 更新日期 | 2022.02.18 |
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