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| 圖像的層累與《觀世音菩薩普門品》的完整再現——莫高窟第395窟研究之一=Sequential Images and the Complete Representation of the Universal Gate of Guanyin——A Study on Mogao Cave 395(Ⅰ) | ||
| 作者 | 張善慶 (著)=Zhang, Shan-qing (au.) |
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| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.4 (總號=n.188) |
| 出版日期 | 2021 |
| 頁次 | 17 - 31 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 作者單位：蘭州大學敦煌學研究所 |
| 關鍵詞 | 莫高窟第395窟=Cave 395; 觀音經變=Lotus sutra illustration; 觀世音菩薩普門品=chapter on the Universal Gate of Guanyin; 重修洞窟研究=study on renovated caves |
| 摘要 | 莫高窟第395窟開鑿于隋代,后經重修。甬道南北兩壁為五代志公畫像和毗沙門天王像,主室南北兩壁為西夏觀音經變之救助八難,主尊為阿彌陀佛。經研究發現,甬道主題是觀世音菩薩之三十三種變化身,和主室觀世音菩薩救助八難,共同構成了一部完整的觀世音菩薩普門品變。雖然經過五代和西夏兩次重修,但是洞窟設計理念卻保持一致,這可能與西夏時期盛行的法華信仰與志公和尚信仰密切相關。這一研究也意在揭示重修洞窟研究的重要價值。 Mogao cave 395 was carved in the Sui dynasty and renovated twice in later times. Images of Master Zhigong and Vaisnavara painted during the Five Dynasties are painted on the south and north walls of the cave’s corridor, respectively, while the wall paintings on the north and south walls of the main chamber that were created during the Western Xia dynasty depict eight scenes of Guanyin(Avalokitesvara Bodhisattva) saving people from various disasters. Research indicates that the theme of the wall paintings on the top of the corridors is the thirty-three manifestations of Guanyin, and that in combination with the scenes of Guanyin rescuing people, the paintings of cave 395 form a complete illustration of the chapter “The Universal Gate of Guanyin”from the Lotus Sutra. Although the cave was renovated in the Five Dynasties and Western Xia periods, the design of the cave remained the same because belief in both the Lotus Sutra and Master Zhigong remained consistent and widespread through the Western Xia dynasty. Finally, this study emphasizes the importance of researching renovated caves. |
| 目次 | 一 第 395 窟基本情況與研究史 18 二 《觀世音菩薩普門品》之 三十三種變化身 18 (一)誌公和尚與毗沙門天王畫像 19 (二)組合關係 21 1. 圖像資料方面 21 2. 文獻資料方面 22 三 《觀世音菩薩普門品》之救八難 23 四 阿彌陀佛與《法華經》26 五 五代與西夏兩次重修活動的銜接 27 (一)西夏洞窟的“墨守成規”與標新立異 27 (二)西夏時期的誌公和尚信仰 28 (三)西夏法華信仰與觀音菩薩信仰 28 六 結語 29 |
| ISSN | 10004106 (P) |
| DOI | 10.13584/j.cnki.issn1000-4106.2021.04.003 |
| 點閱次數 | 453 |
| 建檔日期 | 2022.02.18 |
| 更新日期 | 2022.02.18 |
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