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| Subverting Patriarchal Buddhism in Spring, Summer, Fall, Winter…and Spring | ||
| 作者 | Bartashius, Jason Andrew (著) |
|---|---|
| 出處題名 | Culture and Religion: An Interdisciplinary Journal |
| 卷期 | v.19 n.1 |
| 出版日期 | 2018 |
| 頁次 | 127 - 138 |
| 出版者 | Routledge |
| 出版者網址 | https://www.routledge.com/ |
| 出版地 | Abingdon, UK [阿賓登, 英國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 關鍵詞 | Kim Ki-Duk; feminism; religion and film |
| 摘要 | A number of Kim Ki-duk’s films, particularly Bad Guy (2001), are infamous for the violence towards women characters. While feminist critics deplore Kim as a misogynist, alternative readings – some based on interviews with the director – suggest violence is the only way his silent characters, existing on the margins of society, can communicate. In this way, his body of work is not read as an endorsement of misogyny, but rather as a social critique of patriarchy. One film, however, that is considered unique and eludes these discussions is Spring, Sumer, Fall, Winter…and Spring (2003), a contemplative Buddhist story. I argue, in fact, the film is in dialogue with patriarchal Buddhist portrayals of women as temptresses and samsaric mothers. Further, since it appears the monks in the narrative are incapable of enlightenment, we should question if this is a result of their treatment of women. |
| ISSN | 14755610 (P); 14755629 (E) |
| DOI | 10.1080/14755610.2017.1416647 |
| 點閱次數 | 108 |
| 建檔日期 | 2022.01.26 |
| 更新日期 | 2022.01.26 |
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