 |
|
| The First Emperor and sculpture in China | ||
| 作者 | Nickel, Lukas (著) |
|---|---|
| 出處題名 | Bulletin of the School of Oriental and African Studies=倫敦大學亞非研究學報 |
| 卷期 | v.76 n.3 |
| 出版日期 | 2013 |
| 頁次 | 413 - 447 |
| 出版者 | Cambridge University Press |
| 出版者網址 | https://www.cambridge.org/ |
| 出版地 | New York, NY, US [紐約, 紐約州, 美國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 關鍵詞 | Sculpture; Hellenism; Cultural exchange; Qin-period China; Terracotta warriors; Qin Shi Huangdi; Graeco-Bactria; Ai Khanoum |
| 摘要 | Sculpture as an artistic medium was widely employed in the arts of Greece and the Hellenistic East, but played only a minor role in ancient East Asia. This changed dramatically with the First Emperor of China who marked his ascent to the throne in 221 BC with the erection of giant bronze sculptures outside his palace and the installation of thousands of terracotta figures in his tomb. The current text sets out to investigate the sudden and short-lived surge of sculpture making in third-century BC China and places it in the context of developments across Asia of the time. The text joins art historical, archaeological and textual evidence to investigate whether the First Emperor's extraordinary interest in sculpture may have been the result of contacts with the contemporary Hellenistic world. |
| 目次 | The terracotta figures in art history 415 A historic opportunity 427 The twelve bronze statues of the First Emperor 436 Summary 442 References 443 |
| ISSN | 0041977X (P); 14740699 (E) |
| 點閱次數 | 14 |
| 建檔日期 | 2021.12.28 |
建議您使用 Chrome, Firefox, Safari(Mac) 瀏覽器能獲得較好的檢索效果，IE不支援本檢索系統。
