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| On 10 Chan-Buddhism images in the poetry of Du Fu | ||
| 作者 | Zhang, Yi-nan |
|---|---|
| 出處題名 | Studies in Chinese Religions |
| 卷期 | v.4 n.3 |
| 出版日期 | 2018 |
| 頁次 | 318 - 340 |
| 出版者 | 中国社会科学院=Institute of World Religions, Chinese Academy of Social Sciences(CASS); Taylor & Francis Group |
| 出版者網址 | http://casseng.cssn.cn/ |
| 出版地 | Leeds, UK [里茲, 英國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 關鍵詞 | Du Fu’s poetry; image; Chan-Buddhism; Middle Way |
| 摘要 | There is a significant amount of images with multiple meanings from Chan-Buddhism in Du Fu’s poetry. Representative among them are ‘moon,’ ‘rain,’ ‘pearl,’ ‘bell,’ ‘lamp,’ ‘three carriages and white ox carriage,’ ‘tiger,’ ‘dragon, elephant and poor son,’ ‘golden scalpel,’ ‘mirror,’ ‘clearly cool and irritated hot.’ These images not only enable Du Fu to write in the classic style of poetry, where simple images have great significance, but also consciously employs Chan-Buddhist imagery to communicate this connection to the reader. In order to understand the meaning of these images, this article examines Du Fu’s life and the contents of his poems. Du Fu was familiar with Mahāyāna philosophy, and always admired and remained close to monasteries and eminent monks. In his later years, he recognized the Middle Way (madhyamā-pratipad), cultivated Buddhist wisdom, and was more inspired in his works of poetry. |
| DOI | https://doi.org/10.1080/23729988.2018.1554387 |
| 點閱次數 | 407 |
| 建檔日期 | 2021.04.07 |
| 更新日期 | 2021.04.08 |
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